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A silhouetted profile of a human head against a bright blue background. The head features a distinct profile with a slight curve to the nose and a curved hairline.
Queer Cinema

Moonlight isn’t all about sex – and it’s all the more queer for it

by Josh Lee

By not show­ing phys­i­cal inti­ma­cy, Bar­ry Jenk­ins allows sex­u­al­i­ty to sur­face in his film in oth­er ways.
A person with blue-dyed hair sits in a dimly lit room, eyes closed, face lit from below by warm, orange light.
In Praise Of

How Millennium Mambo set the blueprint for Moonlight

by Ross McDonnell

Bar­ry Jenk­ins’ Mia­mi-set com­ing-of-ager echoes the visu­al lan­guage of Hou Hsiao-hsien’s 2001 film.
A silhouetted profile of a human head against a bright blue background. The head features a distinct profile with a slight curve to the nose and a curved hairline.
Review

Moonlight

by Charles Bramesco

Bar­ry Jenk­ins’ low-key exam­i­na­tion of black life in Amer­i­ca is an aching romance of the very high­est order.

3
Anticipation
5
Enjoyment
5
In Retrospect
Trailers

Watch the powerful first trailer for gay drama Moonlight

by Christina Newland

Bar­ry Jenk­ins’ new film is set to pre­mière at this year’s Toron­to Inter­na­tion­al Film Festival.