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Two people, a man in a suit and a woman in casual clothing, standing outdoors amongst trees and other people.

Netflix’s Set It Up is not your average millennial rom-com

by Ella Kemp

Claire Scanlon’s Man­hat­tan meet-cute is a boun­cy com­e­dy with plen­ty to say about mod­ern relationships.
Busy red carpet with people walking, blurred motion, Cannes Film Festival sign, bright lights and flashes.

Does Netflix deserve a place at Cannes?

by Georgina Guthrie

The fes­ti­val has caused a stir by ban­ning the dig­i­tal dis­trib­u­tor from its offi­cial competition.
Smiling man in suit standing beside large cartoon character against Disney backdrop

Has the Netflix vs Disney streaming war already been won?

by Jack Kavanagh

Disney’s plans for a Star Wars TV series could prove the Death Star to Netflix’s Alderaan.
Smiling young man with curly brown hair wearing a pinstriped waistcoat and white shirt stands in front of a blue backdrop with "LITTLEWG" text.
Incoming

Timothée Chalamet set to play Henry V in David Michôd’s next film

by Adam Woodward

The Lady Bird and Call Me by Your Name star is in talks to appear in Net­flix dra­ma The King.
A person wearing a white turban-like head covering, looking directly at the camera. They are wearing a white shirt and the background appears to be an indoor setting with wall sconces.
Not Movies

Netflix’s She’s Gotta Have It is a timely ode to black womanhood

by Roxanne Sancto

Nola Dar­ling is reborn in this vital update of Spike Lee’s 1986 film.
An older man with grey hair and a beard speaking on a red telephone, sitting at a desk with abstract geometric shapes in the background.
Interviews

David Fincher: ‘Moviemaking is a rat f*ck, every day is a skirmish’

by Matt Thrift

The alchemist behind Fight Club and Zodi­ac dis­cuss­es his newest true crime saga, the Net­flix Orig­i­nal series MINDHUNTER.
Image shows a woman in a maid's uniform flanked by two uniformed men, likely in a period setting.
Not Movies

How Alias Grace softens Margaret Atwood’s source novel

by Ella Donald

The Net­flix adap­ta­tion is char­ac­terised by the com­pet­ing visions of writer Sarah Pol­ley and direc­tor Mary Harron.
Two men in suits seated at a table, engaged in a serious discussion.

With Mindhunter, David Fincher’s killer completes their journey

by Brogan Morris

Netflix’s newest crime dra­ma series is the cul­mi­na­tion of a career-long obses­sion for the director.
Young boy wearing a green jacket and plaid shirt, standing in a crowd.

Stranger Things and the enduring nightmare of Stephen King’s America

by William Carroll

Explor­ing the hit Net­flix show through the lens of its biggest inspiration.
Trailers

Watch the stunning trailer for Dee Rees’ Mudbound

This rur­al peri­od epic set in America’s Deep South looks a seri­ous Oscars contender.