Sylvie’s Love

Review by Cheyenne Bunsie @_CheySays

Directed by

Eugene Ashe

Starring

Eva Longoria Nnamdi Asomugha Tessa Thompson

Anticipation.

Tessa Thompson leading a sweeping ’60s-style romance.

Enjoyment.

Perfect romantic escapism with solid performances.

In Retrospect.

A beautifully shot, well-contextualised fusion of romance and music that leaves you feeling mellow afterwards.

Tessa Thompson and Nnamdi Asomugha shine in a heady tale of two lovers, set in 1960s Harlem.

Hollywood romances of the 1950s and ’60s have a certified formula for swooning success. Beguiling beauty plus handsome hero equals an epic love story played out against the backdrop of the Hollywood hills and starry mountain tops. An ode to this era, Sylvie’s Love puts Black characters centre stage and takes classic cinema from Hollywood to Harlem.

We meet Sylvie (Tessa Thompson) in the summer of 1957, manning the desk of her father’s record store and spending her days dreaming of a career in television. She meets saxophonist Robert (Nnamdi Asomugha) in standard romantic fantasy fashion; album recommendations revealing a spark between the pair. Robert lands a job at the store and the two become friends, chemistry ever-present. Summer ends and, despite their feelings, the pair go their separate ways, with Sylvie’s TV aspirations starting to take flight just as her fiancé returns from war and Robert’s jazz quartet getting their big break in Paris.

Thompson and Asomugha’s effortless connection makes you yearn for fate to bring their characters back together. While Robert stops just short of being a three-dimensional character, his soft-spoken earnestness masks a lack of depth with the stoicism of a man from the Silent Generation. Sylvie, on the other hand, has more to her than the film decides to fully explore; her career and troubled marriage take a backseat even though at times they are more compelling than the central love story.

Thompson’s career has gone from strength to strength in recent years, with standout performances in the Creed films, Westworld, Sorry to Bother You, Thor: Ragnarok and Avengers: Endgame bolstering her reputation as one of the most exciting and versatile actors working today. The role of Sylvie may seem small by comparison, yet she still gives a spirited performance that’s delicate as well as determined.

Writer/director Eugene Ashe, a former recording artist, crafts a stylish feature that’s elevated by a lilting jazz soundtrack and dazzling cinematography. The shots of New York City and Harlem’s intimate jazz clubs are engrossing from start to finish. Subtle (and not so subtle) nods to historic events are weaved throughout the film, placing Sylvie and Rob’s story on the timeline of a tumultuous era.

Sylvie’s Love is a sweet and sincere portrayal of Black love, a film where race permeates the lives of our protagonists without detracting from the fantasy of their romance. Films such as these are just as essential to Black representation in Hollywood, and Ashe succeeds with a sweeping story that brings together changing times, a changing culture, and the true price of love.

Sylvie’s Love is available on Amazon Prime from 23 December.

Published 16 Dec 2020

Tags: Eugene Ashe Sylvie’s Love

Anticipation.

Tessa Thompson leading a sweeping ’60s-style romance.

Enjoyment.

Perfect romantic escapism with solid performances.

In Retrospect.

A beautifully shot, well-contextualised fusion of romance and music that leaves you feeling mellow afterwards.

Suggested For You

If Beale Street Could Talk

By Tayler Montague

Intense melancholy and blissful romance mask an undercurrent of political outrage in Barry Jenkins’ rhapsodic take on James Baldwin.

review LWLies Recommends

One Night in Miami – first-look review

By Flora Spencer Grant

Four icons of African American history meet in a Miami hotel in Regina King’s promising directorial debut.

I’m Your Woman

By Leila Latif

Rachel Brosnahan sheds her Mrs Maisel shtick in this compelling road movie about a woman on the run.

review

Little White Lies Logo

About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

Editorial

Design