The very-belated reformation of US boyband NSYNC is the central hook for this day-glo second sequel to the surprisingly beloved Trolls franchise.
Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.
The pop princess's record-breaking stadium tour comes to the big screen with thrilling results for fans.
Anna Hint’s intimate, drowsy documentary observes a group of women cleansing their bodies and sharing secrets in a traditional smoke sauna.
Ukrainian Associated Press journalist Mstyslav Chernov chronicles the the invasion of the port city of Mariupol.
Helen Mirren dons heavy prosthetics as one-time Israeli prime minister Golda Mair in this drab geopolitical retelling of the 1973 Yom Kippur War.
By Anton Bitel
David Gordon Green returns in his role of classic horror reboot guy to exhume and retool William Friedkin’s The Exorcist for new audiences. The results are not pretty at all.
Canadian indie filmmaker Matt Johnson crafts an offbeat drama about the creation of a since-slain mobile phone giant.
Alden Ehrenreich and Phoebe Dynevor play a young couple clawing their way up the corporate ladder in Chloe Domont's dour thriller.
Music video mainstay Grant Singer makes the leap to features with this real estate-based detective thriller, but the results are disappointingly underwhelming.
Tobin Bell returns as the twisted killer Jigsaw in this back-to-basics sequel, which sees him exact revenge on a group of medical scammers preying on the terminally ill.
By Leila Latif
Gareth Edwards serves up a visually ambitious story of war between humans and A.I. beings in this heartfelt sci-fi spectacle.
Wes Anderson adapts a Roald Dahl short story with his signature attention to detail and visual panache.
Clement Virgo adapts David Chariandy’s 2017 eponymous novel about the complex bond between two Jamaican-Canadian brothers.
By Mark Asch
In what could be his final film, Ken Loach fixes his gaze on a pub landlord in a town reckoning with a new population of Syrian refugees.
Surreally awful action spectacle which represents nothing more than the quickest route to a payday for everyone involved in its sorry creation.
Romanian director Cristian Mungiu returns with a superb social realist western with its finger on the erratic pulse of Europe.
Craig Gillespie offers a look at the 2021 GameStop stock battle between Wall Street and Reddit, but this comedy is a little light on laughs.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
