By David Jenkins
Michel Hazanavicius comes up short in his underpowered remake of Shinichirou Ueda’s zom-com, One Cut of the Dead
Cannes Film Festival
By Katherine McLaughlin
Michel Gondry’s woozy take on an ‘unfilmable’ Boris Vian novel offers a cloudburst of astonishing visuals.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.