By Brian Brems
What does it mean to be an American who loves Martin Scorsese’s Taxi Driver but hates gun violence?
Classic crime-thrillers to seek out – from Rififi to Thief, Dog Day Afternoon to Reservoir Dogs.
Alan Parker’s violent tale of private detectives and devil worship is a heady blend of neo-noir and horror.
The streaming service has bought the international rights to the directors’ long-gestating crime drama.
In tandem with a full Scorsese retrospective, this beloved meatball opera is served up once more.
Following her recent lifetime achievement award, we revisit some of the defining roles from a truly remarkable career.
A comprehensive guide to the directing credits of this great American auteur, from Mean Streets to The King of Comedy to Killers of the Flower Moon.
By Paul Risker
Silence isn’t the first occasion when the director’s obsession with religion has been at the fore.
David O Russell will write and direct a new TV series co-starring Julianne Moore.
Typography titan Dan Perri discusses some of his most iconic designs – from Raging Bull to Star Wars.
By Jen Grimble
How a 33-year-old Martin Scorsese shook the film world when he brought his nihilistic neo-noir to Cannes.
Serious question marks remain over the agenda of Andrew Wakefield’s anti-vaccination documentary.
There’s plenty to admire in this cheesy odd couple comedy with Anne Hathaway and Robert De Niro.
Is the alt-right giving rise to a new generation of Travis Bickles?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
