Check out these rare on-set photos from The Deer… | Little White Lies

Check out these rare on-set pho­tos from The Deer Hunter

15 Dec 2019

Words by Jay Glennie

A man with a beard and moustache, wearing a white jumper, holding a large owl on his arm in an outdoor mountainous setting.
A man with a beard and moustache, wearing a white jumper, holding a large owl on his arm in an outdoor mountainous setting.
Robert De Niro opens his archives for new book One Shot The Mak­ing of The Deer Hunter’.

Robert De Niro has been my cin­e­mat­ic idol for as long as I can remem­ber – so to meet and inter­view him and for him to open his archives has been a dream come true; and then to be told to call him Bob is just surreal.

With the inclu­sion of Meryl Streep, Chris Walken, Vil­mos Zsig­mond – heroes of mine – I knew that I had been hand­ed a gold­en baton and it was just a case of not drop­ping it.

Here I was work­ing with Bob’s amaz­ing archives, being passed images and won­der­ful pre-pro­duc­tion mate­r­i­al from exec­u­tive pro­duc­ers Mar­i­on Rosen­berg and Joann Carel­li and many more from the cast and crew, which all opened up the sto­ry of the mak­ing of the film to me.

Group of people in formal attire standing in front of a banner reading "SERVING GOD AND COUNTRY PROUDLY"

The Deer Hunter fea­tures one of the great casts: the late great John Caza­le, Meryl Streep, Chris Walken, John Sav­age… and along­side direc­tor Michael Cimi­no, in the audi­tions, sat Robert De Niro; he was fun­da­men­tal in cast­ing the film. It was one the most sur­pris­ing facts that I learnt dur­ing the writ­ing of this book. Meryl, Chris, John, George Dzundza all spoke of meet­ing Bob dur­ing their audi­tions.” – Jay Glennie

It was nor­mal. It felt right to be involved and offer Mike [Cimi­no] any sup­port I could. It hap­pens seam­less­ly when you work with a col­lab­o­ra­tive direc­tor.” – Robert De Niro

A black and white image of a grinning man in a tuxedo standing next to a woman in a long wedding dress, surrounded by a crowd of cheering people.

No mat­ter how seri­ous you take your craft you have to find time to have fun while mak­ing a film and Mike [Cimi­no] allowed has that oppor­tu­ni­ty on The Deer Hunter. I look back fond­ly at those days of film­ing. We were open to any pos­si­bil­i­ties that might occur.” – Robert De Niro

Four smiling people sitting in a car, enjoying drinks in a snowy winter landscape.

The guys had built up a great chem­istry. Third from the left is Chuck Aspe­gren. Bob and Michael Cimi­no met Chuck while on a scout­ing trip. Chuck was the fore­man at a steel mill. One night enjoy­ing a beer Bob sug­gest­ed to Cimi­no that they offer Chuck the role of Axel.” – Jay Glennie

When you meet char­ac­ters like this, peo­ple you meet on loca­tion, you got­ta use them. I am not being dis­parag­ing to actors but some­times you need to that flavour and authen­tic­i­ty some­body like Chuck brought to the movie. They have spent their whole life exist­ing this way and it is hard to repli­cate that rich­ness. No, Chuck was in.” – Robert De Niro

Three men in military-style jackets, standing together in a forested outdoor setting.

Here are John Sav­age, Michael Cimi­no and Robert De Niro cel­e­brat­ing suc­cess­ful­ly plung­ing into rag­ing Riv­er Kwai after mak­ing their escape. Michael Cimi­no always said that The Deer Hunter was nev­er intend­ed to be about the Viet­nam War, indeed Chris Walken told me that he could nev­er recall the war being mentioned.

Rather it was Cimino’s inten­tion to show the effect the war had had on a com­mu­ni­ty and the way lives had been affect­ed and dam­aged by the bru­tal­i­ty of war. For Cimi­no the play­ing of Russ­ian roulette was a metaphor of how gov­ern­ments treat­ed ser­vice­man and women.” – Jay Glennie

A man with a beard holding an owl on his arm, set against a mountainous landscape.

I love this pic­ture. It is a side of Bob that you do not often see. The image of the intro­vert­ed artist is the one that has been con­stant­ly sold but the Bob his co-stars and the crew spoke of was a man ded­i­cat­ed to his craft and open and fun. And some forty years lat­er the Bob that has so gra­cious­ly helped me is very far removed from the moody mono­syl­lab­ic, noth­ing of the sort, the guy is a leg­end!” – Jay Glennie

Man playing pool with cue stick and balls on table

This shot is from when the guys are play­ing pool on the morn­ing of Steven’s wed­ding; it’s a won­der­ful scene. It was bought to life fur­ther for me when I found in Bob’s archives a note chore­o­graph­ing every move­ment he made with his cue keep­ing in time to the Frankie Val­li song Can’t Take My Eyes Off You’ as the guys danced, drank and played pool. This is his ded­i­ca­tion to his craft, it all looks spon­ta­neous but he spent hours per­fect­ing his por­tray­al.” – Jay Glennie

Newlywed couple in a formal wedding setting, dressed in traditional attire, engaged in a romantic embrace.

When Meryl Streep agreed to con­tribute to One Shot’ I was thrilled, and she was every­thing I hoped she would be – fun and gra­cious. She told me that The Deer Hunter held so many spe­cial mem­o­ries for her, one of which was a life­long friend­ship with Bob that she holds very, very dear. Their on-screen chem­istry was beau­ti­ful.” – Jay Glennie

One Shot: The Mak­ing of The Deer Hunter’ is avail­able to buy now via coat​tail​-pub​li​ca​tions​.com

You might like

Accessibility Settings

Text

Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.

Applies a more readable font throughout the website, improving readability.

Underlines links throughout the website, making them easier to distinguish.

Adjusts the font size for improved readability.

Visuals

Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.

Reduces the colour saturation throughout the website to create a more soothing visual experience.

Increases the contrast of elements on the website, making text and interface elements easier to distinguish.