By Luke Channell
Ben Wheatley’s High-Rise isn’t the first film to use a towering structure to reflect social anxieties.
By Jonathan Bacon
Ben Wheatley’s long-time prosthetics supervisor reveals the director’s passion for practical effects.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.