By Grace Dodd
Thanks to the efforts of the LUMA Foundation and Jarman's friend James Mackay, a series of shorts produced by the pioneering filmmaker have been restored and screened for the first time in London.
A film critic traces the connections between philosopher Ludwig Wittgenstein’s escapist eccentricities and her own formative experiences as a cinephile.
By Jon O'Brien
The ramifications of Thatcher's draconian homophobic law are explored in Georgia Oakley's new film, but their impact has an additional place in British cinema.
By Sam Moore
In 1976’s Sebastiane and 1986’s Caravaggio, the director refuses to relegate homosexuality to the subtext.
By Adam Scovell
Visiting the site near Southwark Bridge in London where the late artist’s filmmaking career began.
The late filmmaker and queer activist called Dungeness in Kent home during the latter years of his life.
By Sam Moore
In a time of political uncertainty, his bold representations of queerness remain as vital and relevant as ever.
By Max Ramsay
The pioneering British filmmaker’s final work remains a profoundly personal and poetic work.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
