by Theo Rollason
Two decades after its release, Guy Maddin’s eccentric Prohibition era satire speaks to a contemporary obsession with corporatising pain.
by Lillian Crawford
Hammer Horror returns with a genderflipped take on Robert Louis Stevenson’s iconic novel, starring Eddie Izzard as a leading figure of the pharmaceutical industry with a dark secret.
by Oisín McGilloway
From La La Land to Past Lives, filmmakers are still drawing inspiration from the vivid emotional worlds of Jacques Demy. What is it about his films that continues to inspire directors?
by Patrick Sproull
Stephen Kijak speaks to Rock Hudson’s friends and lovers to build a loving – but perhaps a little one-note – portrait of a Hollywood star.
A new season organised by the BFI in partnership with Thelma Schoonmaker brings many classic Powell & Pressburger films – including new restorations – to the big screen once more.
by Leila Latif
Saoirse Ronan, Paul Mescal and Aaron Pierre star in Garth Davies’ unnerving sci-fi drama, based on Iain Reid’s novel about a couple’s disturbed existence in an America ravaged by climate change.
by Christina Newland
Speaking at the global press conference for Killers of the Flower Moon, Martin Scorsese provides insights into his research process and use of music, as well as discovering Lily Gladstone via Kelly Reichardt’s Certain Women.
by David Jenkins
The very-belated reformation of US boyband NSYNC is the central hook for this day-glo second sequel to the surprisingly beloved Trolls franchise.
by Paul Risker
Across seven decades, Martin Scorsese has been constructing his own vision of the United States’ bloodstained mythology.
by Charles Bramesco
Nathan Fielder and Emma Stone star as an unscrupulous property developing couple who find themselves cursed by a small child in this A24 and Showtime collaboration.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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