by Anton Bitel
Cannibals, ghosts, demons and housewives are on the schedule for this special spooky season round-up of all the latest in Blu-Ray and DVD releases.
by Simon Bland
The Drive director reflects on smuggling Bronson’s actual moustache out of prison and the personal story behind his ethereal biopic of the UK’s most notorious inmate.
by David Jenkins
Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.
by Lillian Crawford
Ahead of the BFI’s landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.
The pop princess’s record-breaking stadium tour comes to the big screen with thrilling results for fans.
The famed photographer turns his hand at filmmaking with a study of extreme trauma and slow healing in The After.
On Truth & Movies this week we debate if Fair Play means a new era for the erotic thriller and if Exorcist : Believer proves a worthy sequel to the late, great William Friedkin’s classic tale of possession. And finally, for film club, it’s a return to the erotic thriller’s heyday with 1994’s Disclosure.
by Kyle MacNeill
For the last decade, a small group of video editors have spent hours toiling over concept trailers, delighting and duping fans eager to catch a sneak peek of an upcoming film.
by Soma Ghosh
Sav Rodgers weaves personal and pop culture history together as he unpacks the legacy of Kevin Smith’s 1997 romantic comedy.
by Nadine Mamoon
More than three decades after it was made, this landmark work defies classification – a portrait of young people caught between warring countries, attempting to have a typical childhood.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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