By Matt Thrift
Fiammetta Profili reflects on her time working with Federico Fellini during his final decade.
The rising star of Luce and Waves talks subverting expectations and stereotypes of black masculinity.
The filmmaking siblings take us on a tour of New York’s Diamond District, the setting for their sensational Uncut Gems.
The writer, director and star of Motherless Brooklyn talks New York, noir and making musical acquaintances.
One of Britain’s best documentary filmmakers trades on-camera interviews for archive footage in Shooting the Mafia.
With her eerie debut feature Atlantics, the actor-turned-director has delivered one of the year’s finest films.
The Australian writer/director on why her brutal new film The Nightingale is about love, not hate.
By Nick Hasted
The US actor surveys his career, from Something Wild and Goodfellas to Marriage Story and Sopranos prequel The Many Saints of Newark.
Face to face with two of the greatest actors of their generation, together in Martin Scorsese’s magisterial mob drama.
The German filmmaker discusses the subversive message at the heart of his political documentary Meeting Gorbachev.
The French maestro on his acerbic new film Non-Fiction and why he’s a software rather than a hardware guy.
By Elena Lazic
As her new film American Woman attests, the one-time “It girl” has grown into a reliable character actor.
By Guy Lodge
The American star discusses slipping into the skin of Hollywood’s tragic sweetheart, Judy Garland.
The British-Nigerian filmmaker on his intimate portrait of black masculinity, The Last Tree.
By Matt Thrift
The Ad Astra director on how Brad Pitt helped him to make the sprawling sci-fi opus he had inside his head.
We talk to the director of 2001 comedy masterpiece Ghost World ahead of an immersive London screening and soundtrack re-release.
The writer/director and star of The Souvenir discuss diaries, memories and the life-changing qualities of making art.
The director of Netflix’s prequel series reveals how Jim Henson inspired him to become a filmmaker.