By Aaron Hunt
The director discusses her stark interrogation of the destructive stasis of the carceral state, Time.
Breaking into the local post office was deep research for the artworld multi-hypenate’s superb new film, Kajillionaire.
The documentary maker attempts to cheat death with her life-affirming latest, Dick Johnson Is Dead.
By Rógan Graham
Don’t be fooled by the surface-level frivolity of Miss Juneteenth says its canny, thoughtful director.
The director of She Dies Tomorrow opens up about how anxiety and existential dread feed her creative spirit.
The star of Christopher Nolan’s Tenet revels in the toil of making an experimental mega blockbuster.
The Australian director discusses her debut, Babyteeth, and why she’s perfectly happy making other people’s scripts.
By Elena Lazic
How a fascination with female desire inspired the first-time director of the excellent Make Up.
The writer/director on how first-hand research informed her ‘poetic odyssey’, Never Rarely Sometimes Always.
By Beth Webb
The American filmmaker’s debut narrative feature is the perfect drama for the post #MeToo era.
The Saudi Arabian iconoclast details the tribulations of making The Perfect Candidate.
By Jack King
The director of And Then We Danced discusses his film’s impact on the LGBT+ community in Georgia and beyond.
By Matt Thrift
The cult director discusses his long-awaited return to mainstream filmmaking with Color Out of Space.
By Elena Lazic
The director of Portrait of a Lady on Fire discusses her monument to female artists and their intense gaze.
The Lourdes and Amour Fou filmmaker on her unsettling English-language debut, Little Joe.
By Elena Lazic
The co-stars of Céline Sciamma’s sumptuous period romance discuss the intimate – and political – nature of the film.
The South Korean master dissects his deliciously dark capitalist satire, Parasite.
The screen legend on going full seadog in Robert Eggers’ paranoid fantasia, The Lighthouse.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
