Ben Wheatley courts intrigue with the first… | Little White Lies

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Ben Wheat­ley courts intrigue with the first Rebec­ca trailer

08 Sep 2020

Words by Charles Bramesco

A crowd of men in hats and coats surround a woman in a tweed coat and hat in a city street.
A crowd of men in hats and coats surround a woman in a tweed coat and hat in a city street.
Tan­gled pas­sions ensnare Lily James and Armie Ham­mer in this update of Daphne du Maurier’s famed novel.

Ben Wheat­ley is no stranger to ambi­tious adap­ta­tions. He’s one of the few film­mak­ers with the audac­i­ty and acu­men required to tack­le JG Bal­lard (as he did with 2015’s High-Rise), and he mod­eled his most recent film Hap­py New Year, Col­in Burstead after Shakespeare’s mil­i­tary melo­dra­ma Cori­olanus (to that effect, it was orig­i­nal­ly titled Col­in, You Anus).

For his next fea­ture he’s tak­ing on none oth­er than Daphne du Mau­ri­ers 1938 nov­el Rebec­ca’, which was famous­ly adapt­ed by Alfred Hitch­cock in 1940. We got an advance peek at his re-mount­ing of the roman­tic psy­cho-thriller last week with some pre­view images, but today brings a fuller impres­sion with the first trailer.

Lily James leads as a hum­ble lady-maid, catch­ing the eye of the dap­per Max­im de Win­ter (Armie Ham­mer) while he’s on hol­i­day and com­pelling him to bring her back to his home of Man­der­ley as the new Mrs De Win­ter. But once at her pala­tial new abode, she’s con­stant­ly made to feel inad­e­quate by the pecu­liar­ly intense house­keep­er Mrs. Dan­vers (Kristin Scott Thomas) who keeps bring­ing up Maxim’s late first wife Rebec­ca. Obses­sion, jeal­ousy, para­noia, and ghosts follow.

With the pre­vi­ous plot out­line known to any­one who’s seen the film, read the book, or paid atten­tion to the char­ac­ter dynam­ics of Phan­tom Thread, today’s big rev­e­la­tion lies in the aes­thet­ic of the film, with Wheat­ley bring­ing a high-gloss fin­ish to the sweep­ing panoram­ic shots of coast­line get­aways and coun­try constitutionals.

For those view­ers with­out any­thing to mea­sure this new film against, whether that’s Hitchcock’s orig­i­nal or the rest of its author’s fil­mog­ra­phy, the haunt­ing goth­ic atmos­pheres and ear­ly 20th-cen­tu­ry cou­ture should be plen­ty to savor until the real thing arrives. That, and the com­fort­ing­ly sym­met­ri­cal fea­tures of a nev­er-more-dash­ing Armie Hammer.

Rebec­ca comes to Net­flix in the UK and US on 21 October.

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