Fantasy

Death of a Unicorn review – goodbye horses, good riddance

By Billie Walker

Alex Scharfman rallies together a cast stacked with comedic actors, but the result of this dull ‘Eat the Rich’ flick misses the mark.

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The End review – charming, apocalyptic musical melodrama

By Katherine McLaughlin

Joshua Oppenheimer returns with an ambitious, post-apocalyptic musical whose thematic flights of fancy are just a little too strident.

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Lord Of The Rings: The War Of The Rohirrim review – not canon-level

By David Jenkins

This anime-style journey to Middle Earth dials back on risk and charm to robustly tell a simple tale of good versus evil.

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Moana 2 review – a tidal wave of joy on the big screen

By Yasmine Kandil

Although it doesn’t quite soar to the heights of the original, there’s a lot to enjoy in this delightful sequel.

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Wicked review – Grande and Erivo’s chemistry is unmatched

By Fatima Sheriff

CGI Blockbuster visuals aside, there’s much to love in Jon M Chu’s adaptation of one of Broadway’s biggest musical successes.

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Timestalker review – ripples with insight and emotion

By David Jenkins

Alice Lowe’s miraculous second feature is a triumph of imagination, soul-searching and a refined comic instinct.

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Beetlejuice Beetlejuice review – squelchy, stripy sequel fun

By Hannah Strong

Burton, Keaton and Ryder turn up the juice and see what shakes loose in a sequel 36 years in the making that manages to deliver plenty of laughs even if it's all a bit chaotic.

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Tuesday review – a magical realist allegory

By Anton Bitel

A mother and her teenage daughter come face to face with death in the form of a strange talking bird in Daina Oniunas-Pusic's feature debut.

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The American Society of Magical Negroes review – an undercooked, frustrating satire

By Hamza Shehryar

Less Harry Potter and more American Fiction, this politically charged satire is more banal than it first seems.

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Ghostbusters: Frozen Empire review – formulaic and uninspired

By David Jenkins

Shoddy, rushed sequel that rides ramshod over past glories without offering anything new and exciting to this stale franchise.

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All of Us Strangers review – a supernova of a film

By Hannah Strong

Andrew Scott and Paul Mescal are electric in Andrew Haigh's twist on the modern ghost story, adapted from Taichi Yamada's cult novel.

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Aquaman and the Lost Kingdom review – a superhero sequel that sinks

By David Jenkins

Aggressively unmemorable return to a garish CGI Atlantis in which Jason Momoa’s sub-aqua regent wards off another potential apocalypse.

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Barbie review – a gorgeously weird blockbuster event

By Hannah Strong

Greta Gerwig's behemoth blockbuster is a stranger, more fascinating film than its hyper-corporate marketing would suggest.

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Medusa

By Marina Ashioti

A blend of horror and satire unveiling the violent paradoxes of religious hypocrisy and aesthetic expectations.

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The Flash

By Hannah Strong

Ezra Miller stars as Ezra Miller and Ezra Miller, and Michael Keaton is also there, in Andy Mushietti's take on DC's speediest superhero.

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The Little Mermaid

By Leila Latif

Halle Bailey’s charms can’t distract from all the bizarre choices at the heart of this underwhelming live-action remake.

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Renfield

By Hannah Strong

Nicholas Hoult plays Count Dracula’s long-suffering servant in Chris McKay’s underwhelming horror-comedy.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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