There's a lot of superficial fun to be had with this superhero romp, which hasn’t been the case in the MCU for a long while.
David F Sandberg's tangentially related adaptation of Supermassive Games' horror hit forgets what made its video game source material so great.
Ben Affleck's autistic hitman with a gift for numbers returns in Gavin O'Connor's mismatched action thriller.
A young tennis star refuses to open about an abusive coach in Leonardo Van Dijl’s impressive feature debut.
Kiyoshi Kurosawa’s latest treads similar thematic territory to his prescient 2001 cyberhorror, through the prism of an e-commerce, vengeance-fuelled thriller.
Dea Kulumbegashvili’s stark Georgian drama follows an obstetrician who moonlights as an abortionist, as she is accused of interfering with her patients.
Steve Coogan co-stars with a penguin in this gentle dramedy from Peter Cattaneo that never quite matches up to the true story.
Jia Zhangke’s first feature in six years is a sweeping epic anchored by the captivating Zhao Tao, his muse and most frequent collaborator.
Finally free from the Marvel machine, Ryan Coogler delivers the goods and then some with his music-powered, genre-splicing latest.
Louise Courvoisier crafts a moving tale about cheese-making and coming of age, set in the rural French region of Jura.
Ralph Fiennes and Juliette Binoche star as Odysseus and Penelope in Uberto Pasolini's retelling of Homer's epic.
By Lucy Peters
A gentle, fictionalised foray into stage and screen legend Richard Burton’s Welsh childhood.
A young, London-based writer begins a double life as a sex worker in Mikko Mäkelä's queer psychological drama.
Darren Thornton's remake of Mid-August Lunch sees a novelist on the brink of breaking out tasked with caring for his ailing mother and her friends.
By Rógan Graham
A-Level results day gives way to a compelling look at late teenhood in Sasha Nathani’s London-set debut feature.
A grieving family find themselves with an unwanted house guest in the latest underwhelming thriller from journeyman director Jaume Collet-Serra.
Alain Guiraudie defies neat categorisation with his shapeshifting eighth feature about morality, crime and queer desire.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
