Comedy

The Book of Clarence review – hilarious highs, jumbled lows

By Cheyenne Bunsie

Jeymes Samuel's second feature follows the misadventures of one of the thieves who ended up on the cross next to Jesus Christ himself.

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The Holdovers review – the most scintillating festive movie in years

By Lillian Crawford

A curmudgeonly teacher, a grieving cook and a petulant young student find themselves thrown together for the holidays in Alexander Payne's excellent Christmassy dramedy.

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Mean Girls review – defanged take on a teen classic

By Hannah Strong

This movie based on a musical based on a movie based on a book retains none of the biting wit that charmed audiences in its original iteration.

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Poor Things review – Lanthimos at his most playful and comedic

By Savina Petkova

Emma Stone gives a career-defining performance in Yorgos Lanthimos’ opulent provocation about the human body as a nexus for pleasure and pain.

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Sweet Sue review – a strange, disjointed film

By David Jenkins

Leo Leigh’s likeable but wonky feature debut offers a meandering trawl through the doomed love life of a mature party shop owner.

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Wonka review – Timothée Chalamet is simply sensational

By Adam Woodward

Gather round and listen close... Paul King’s dazzling prequel to Roald Dahl’s beloved story is a joyous expression of pure imagination.

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Fallen Leaves review – the Finnish legend returns

By David Jenkins

Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.

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Saltburn review – gorgeous, lurid, shallow and frustrating

By Hannah Strong

A working-class student finds himself thrust into a new world in Emerald Fennell’s stylish but underwhelming second feature.

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Give Me Pity! review – an experimental, esoteric extravaganza

By Marina Ashioti

A young woman's dream gig on television descends into chaos in Amanda Kramer's imaginative new melodrama.

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Dream Scenario review – easy to enjoy, harder to remember

By Mark Asch

Nicolas Cage plays an otherwise unremarkable college professor who unexpectedly finds himself appearing in peoples' dreams in Kristoffer Borgli's latest satire.

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Bottoms review – undercooked, unfunny teen romance

By Hannah Strong

Two unpopular lesbians attempt to start a fight club at their high school in Emma Seligman's disappointing follow-up to Shiva Baby.

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Five Nights at Freddy’s – nonsensical robo-slasher trash

By David Jenkins

What appears as a fun robotic slasher lark turns out to be a deathly dull rip-off of various trauma-based horror yarns which fails to deliver in either the serious or silly stakes.

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BlackBerry review – Glenn Howerton is on top form

By Hannah Strong

Canadian indie filmmaker Matt Johnson crafts an offbeat drama about the creation of a since-slain mobile phone giant.

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The Wonderful Story of Henry Sugar review – Dahl lovingly brought to life as only Anderson knows how

By Hannah Strong

Wes Anderson adapts a Roald Dahl short story with his signature attention to detail and visual panache.

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Dumb Money review – mildly entertaining economics 101

By Hannah Strong

Craig Gillespie offers a look at the 2021 GameStop stock battle between Wall Street and Reddit, but this comedy is a little light on laughs.

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Rotting in the Sun review – bold and brilliant influencer satire

By David Jenkins

The impish Chilean filmmaker Sebastián Silva returns with a sharp thriller about an influencer who turns detective after a filmmaker he's involved with goes missing.

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Klokkenluider review – a strong tonal balancing act

By Josh Slater-Williams

Actor Neil Maskell makes his debut as a filmmaker with this spiky thriller.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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