Comedy

The American Society of Magical Negroes review – an undercooked, frustrating satire

By Hamza Shehryar

Less Harry Potter and more American Fiction, this politically charged satire is more banal than it first seems.

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The Delinquents review – comic twist on classic crime saga

By David Jenkins

The worst criminals in the world find deeper meaning in their lives in this hilarious odyssey from Rodrigo Moreno.

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Ghostbusters: Frozen Empire review – formulaic and uninspired

By David Jenkins

Shoddy, rushed sequel that rides ramshod over past glories without offering anything new and exciting to this stale franchise.

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Drive-Away Dolls review – a future midnight screening staple

By Esther Rosenfield

Margaret Qualley and Geraldine Viswanathan star in a delightfully daffy road movie, written by Ethan Coen and his wife Tricia Cooke.

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Wicked Little Letters review – a flimsy comic farce

By David Jenkins

Olivia Colman is hampered by thin material in this overly-quaint parochial Britcom which contains a fair bit of swearing.

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American Fiction review – wry literary satire is a mixed bag

By David Jenkins

Jeffrey Wright shines in a bold contemporary arts satire that doesn’t quite manage to hit all of its targets.

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The Book of Clarence review – hilarious highs, jumbled lows

By Cheyenne Bunsie

Jeymes Samuel's second feature follows the misadventures of one of the thieves who ended up on the cross next to Jesus Christ himself.

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The Holdovers review – the most scintillating festive movie in years

By Lillian Crawford

A curmudgeonly teacher, a grieving cook and a petulant young student find themselves thrown together for the holidays in Alexander Payne's excellent Christmassy dramedy.

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Mean Girls review – defanged take on a teen classic

By Hannah Strong

This movie based on a musical based on a movie based on a book retains none of the biting wit that charmed audiences in its original iteration.

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Poor Things review – Lanthimos at his most playful and comedic

By Savina Petkova

Emma Stone gives a career-defining performance in Yorgos Lanthimos’ opulent provocation about the human body as a nexus for pleasure and pain.

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Sweet Sue review – a strange, disjointed film

By David Jenkins

Leo Leigh’s likeable but wonky feature debut offers a meandering trawl through the doomed love life of a mature party shop owner.

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Wonka review – Timothée Chalamet is simply sensational

By Adam Woodward

Gather round and listen close... Paul King’s dazzling prequel to Roald Dahl’s beloved story is a joyous expression of pure imagination.

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Fallen Leaves review – the Finnish legend returns

By David Jenkins

Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.

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Saltburn review – gorgeous, lurid, shallow and frustrating

By Hannah Strong

A working-class student finds himself thrust into a new world in Emerald Fennell’s stylish but underwhelming second feature.

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Give Me Pity! review – an experimental, esoteric extravaganza

By Marina Ashioti

A young woman's dream gig on television descends into chaos in Amanda Kramer's imaginative new melodrama.

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Dream Scenario review – easy to enjoy, harder to remember

By Mark Asch

Nicolas Cage plays an otherwise unremarkable college professor who unexpectedly finds himself appearing in peoples' dreams in Kristoffer Borgli's latest satire.

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Bottoms review – undercooked, unfunny teen romance

By Hannah Strong

Two unpopular lesbians attempt to start a fight club at their high school in Emma Seligman's disappointing follow-up to Shiva Baby.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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