Amy Adams is on great form in Marielle Heller's adaptation of Rachel Yoder's novel about a new mother who is alarmed discover she is turning into a dog.
Although it doesn’t quite soar to the heights of the original, there’s a lot to enjoy in this delightful sequel.
This occasionally-vibrant odd couple gay relationship drama is too superficial and silly to leave a lasting mark.
A large Italian-American family gather for the holidays in Tyler Taormina's freewheeling festive feature.
It’s three for three in the beloved bear franchise, as our marmalade-scoffing scamp heads off for an adventure in his South American homeland.
A young sex worker thinks she's hit the jackpot when she falls for a Russian nepo baby, but his parents have other plans in Sean Baker's anti-rom-com.
François Ozon's first foray into crime comedy boasts bags of charm and a biting feminist edge.
By Mark Asch
Sebastian Stan essays a young Donald Trump in this glossy, empty film about the orange fascist’s initial dabbling in evil.
Following a bizarre road accident, the lives of three strangers collide in this cheerful yet meandering dramedy.
Alice Lowe’s miraculous second feature is a triumph of imagination, soul-searching and a refined comic instinct.
Sebastian Stan and Adam Pearson are an excellent double act in Aaron Schimberg's effective sophomore feature.
Two lone wolf fixers bicker their way through Jon Watts' sparkless action comedy, which wastes the charisma of George Clooney.
An elderly woman discovers romance again in Maryam Moghadam and Behtash Sanaeeha's touching dramedy.
By Grace Dodd
Fawzia Mirza's joyful, Bollywood-inspired debut feature explores a tumultuous mother-daughter relationship.
A couple of Belfast likely lads set out on a journey of rap-based resistance in Rich Peppiatt's cheeky pseudo-bio of the band Kneecap.
Jason Schwartzman and Carol Kane star in a beautifully told story of grief, faith, and finding each other in a time of crisis.
By Juan Barquin
Eli Roth's slapdash adaptation of the brash video game series is a joyless slog despite the presence of Cate Blanchett.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
