by Hannah Strong
Steven Spielberg weaves a tale about his childhood love of cinema and the relationship between his parents in this light but lovely mostly true story.
by Saskia Lloyd Gaiger
A humble school teacher is forced into a stand off against a local drug lord in Diego Lerman’s compelling, though overly-contrived drama.
by Laura Venning
Vicky Krieps and Gaspard Ulliel play a couple grappling with a life-altering illness in Emily Atef’s sensitive but slight drama.
by David Jenkins
Ali Abbasi crafts a thriller ripped from the headlines in this story of ‘The Spider Killer’ who targeted female sex workers in Mashhad, Iran.
by Ege Apaydın
Cate Blanchett is on top form as a conductor who experiences a swift fall from grace in Todd Fields’ piercing psychodrama.
Sam Mendes recruits Olivia Colman and Michael Ward for this mawkish tale of seafront woes and the healing power of movies.
This corny English-language remake of 2015 Swedish hit, A Man Called Ové, sees Tom Hanks seriously lowering his standards.
by Rógan Graham
Chinonye Chukwu directs a magnificent Danielle Deadwyler and Jalyn Hall as they play Emmett Till and his grieving mother, Mamie.
by Caitlin Quinlan
A family toil on a peach farm threatened with destruction in Carla Simón’s elegant drama.
by Juan Barquin
François Ozon fanboys over Fassbinder (again!) with this reimagining of 1972’s The Bitter Tears of Petra Von Kant.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.