Festivals

Sanctuary – first-look review

By Hannah Strong

Margaret Qualley and Christopher Abbott act out their fantasies in Zachary Wigon's thriller about a dominatrix and her wealthy client.

BlackBerry – first-look review

By Hannah Strong

Canadian indie filmmaker Matt Johnson crafts an offbeat drama about the creation of a since-slain mobile phone giant.

Notre Corps – first-look review

By Carly Mattox

Set within a Parisian gynecological clinic, Claire Simon's powerful documentary focuses on the myriad stories of patients who seek advice and care.

Suzume – first-look review

By Alicia Haddick

Makoto Shinkai's third feature continues his fantastical vision with a teenage girl who accidentally opens a magical portal, but fails to make the same impact as Your Name and Weathering With You.

Afire – first-look review

By Marina Ashioti

Christian Petzold returns with something lighter, funnier and more instantly-lovable than his recent run, bringing regular leading lady Paula Beer along for the ride.

20,000 Species of Bees – first-look review

By Caitlin Quinlan

A mother and gender-curious child keep bees in Estibaliz Urresola Solaguren’s tender drama of division, renewal and the space in between.

The Plough – first-look review

By Rafa Sales Ross

Philippe Garrel enlists his three children for this family affair, in which a family of artistic puppeteers grapple with their patriarch's passing.

Love to Love You, Donna Summer – first-look review

By Anna Bogutskaya

Academy Award winner Roger Ross Williams and Summer’s daughter Brooklyn Sudano team up to create an intimate portrait of a conflicted and complicated artist.

Music – first-look review

By Marina Ashioti

The latest from formally-daring German filmmaker Angela Schanelec is an exciting and impenetrable take on the Oedipus myth.

Inside – first-look review

By Hannah Strong

Willem Dafoe plays an art thief who becomes trapped in a high-tech luxury pent house in Vasilis Katsoupis' unusual thriller.

Tótem – first-look review

By Marina Ashioti

Lila Avilés’ affecting second feature explores the essence of impending loss through the eyes of a young child.

Past Lives – first-look review

By Rafa Sales Ross

Celine Song's feature debut is a tender exploration of multiethnic romance, complimented by nuanced performances from Greta Lee and John Magaro.

The Shadowless Tower – first-look review

By Patrick Gamble

Inspired by a friendship with a young photographer, a middle-aged man living in Beijing reconnects with his estranged father in Zhang Lü's poignant drama.

Reality – first-look review

By Caitlin Quinlan

Sydney Sweeney plays NSA whistleblower Reality Winner in Tina Satter's adaptation of her own play, with effective results.

Disco Boy – first-look review

By Marina Ashioti

The stories of a French Foreign Legionnaire and a Nigerian guerrilla fighter converge in Giacomo Abbruzzese’s frustrating feature debut.

Manodrome – first-look review

By David Jenkins

Jesse Eisenberg breaks his dweeby typecast as a disenchanted bodybuilder lured into to a men’s rights group in John Trengove’s intriguing thriller.

The Beast in the Jungle – first-look review

By Marina Ashioti

Patric Chiha loosely interprets Henry James in this hazy, seductive nightclub-set drama.

Everything old is new again: archival cinema at London Short Film Festival

By Tahney Fosdike

Archival films and footage presented a rich opportunity for filmmakers and curators to explore contemporary themes and events at this year's festival.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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