by Kambole Campbell
With insights from The Day The Earth Blew Up director Peter Browngardt, we salute the mad, mad, mad, mad worlds of Bugs, Daffy and co.
by Patrick Sproull
Between the firing of Melissa Barrera for supporting Palestine and a staunch refusal to innovate, the once-beloved horror series has reached new lows.
The new satirical comedy film from Boots Riley kicks off Austin’s 2026 celebration of movies, music and innovation.
by Claire Biddles
Meeting the compositional maestro behind the complex web of sounds and rhythms in Mona Fastvold’s The Testament of Ann Lee.
by Katherine McLaughlin
The star of The Testament of Ann Lee expounds on the joys of giving yourself over to cinema.
by Baneet Sarai
With Sentimental Value winning universal acclaim, we visit Joachim Trier’s 2006 debut about two best friends attempting to become literary greats.
by Ying-Di Yin
The dark of the matinée provides a safe space for emotional outpouring.
by Marina Ashioti
The maker of The Testament of Ann Lee on creating a radical biography that’s forged in ecstatic song.
by Molly Lipson
Cal McMau’s visceral feature debut, set in a men’s prison, provides a useful lens for considering how pop culture informs our understanding of policing and justice.
by David Jenkins
Our homage to one of the great filmmakers of the modern age who leaves behind him a corpus of worked unmatched in the world of film and art.