In a brand new series, produced in partnership with Squarespace, Little White Lies and Huck spotlight artists and makers as they adapt to life under lockdown and an uncertain future.
In the second part of a new series supporting artists through these testing times, we commissioned Sophie Mo to make a special series of illustrations. She shares with us how she continues to carve out a creative identity.
By Emma Fraser
Ryan Murphy and Ian Brennan’s limited series reveals the price of stardom in Tinseltown’s Golden Age.
By Beth Webb
The American filmmaker’s debut narrative feature is the perfect drama for the post #MeToo era.
By Anton Bitel
Masaki Kobayashi’s Oscar-winning 1964 anthology film Kwaidan is now available on Blu-ray for the first time.
By Thomas Hobbs
The composer and Cat’s Eyes member discusses her deep connection to Nino Rota’s 1972 masterpiece.
To celebrate the release of Moffie, we look back at some memorable queer coming-of-age classics.
Sophie Monks Kaufman sings the praises of Marc Lawrence’s pop hit of a rom-com from 2007.
By Leila Latif
Exploring the rich and disturbing cinematic history of benign stalking. Whoever said nice guys finish last?
By Emma Fraser
This complex tale of first love and friendship is brought to life on screen by two terrific young leads.
The stranger-than-fiction documentary tracks the fate of Biosphere 2, a self-contained geodesic dome.
By Emma Fraser
When women have their movie careers ruined by vindictive, controlling men, what happens next?
By Adam Scovell
Michael Elliott’s 1968 teleplay The Year of the Sex Olympics imagines a society addicted to screens.
By Luís Azevedo
Is this beloved stationery item used by filmmakers as a symbol of evil?
Cartoonist David Squires reimagines Martin Scorsese’s mob epic with a social distancing twist.
The latest iteration of the Room H.264 series touches on the sweeping effects of coronavirus.
The pandemic has prompted the Directors’ Fortnight, Critics’ Week and Acid festivals to set their sights on 2021.
By Simon Bland
The director reflects on the creation of one of cinema’s enduring monsters, Patrick Bateman.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
