Features

Tori and Lokita – first-look review

By Mark Asch

The Dardenne brothers return with a harrowing story of human trafficking in Belgium, centring on two young migrants.

The Silent Twins – first-look review

By Hannah Strong

Letitia Wright and Tamara Lawrance star in Agnieszka Smoczyńska’s ambitious but flawed biographical feature.

H Jon Benjamin: ‘When I’m Bob, I’m a hamburger cook and not a singer’

By Charles Bramesco

The man behind Bob’s Burgers talks about the show’s transition to the big screen for a murder mystery musical.

“There were certain dance moves that were all me” – Jared Gilman on Moonrise Kingdom at 10

By Simon Bland

The now 23-year-old actor returns to Camp Ivanhoe to share his memories of making a film with Wes Anderson.

De Humani Corporis Fabrica – first-look review

By David Jenkins

Verena Paravel and Lucien Castaing-Taylor’s humanist portrait of care, surgery and technology is one of the highlights of Cannes 2022.

Sick of Myself – first-look review

By Hannah Strong

A narcissistic couple engage in a constant game of one-upmanship in Kristoffer Borgli’s disappointingly one-note feature.

Crimes of the Future – first-look review

By Hannah Strong

David Cronenberg’s return to filmmaking can’t quite deliver on its promise that surgery is the new sex.

Funny Pages – first-look review

By Hannah Strong

A teenage cartoonist searches for authenticity in writer/director Owen Kline’s pleasingly grubby debut feature.

Moonage Daydream – first-look review

By Ed Gibbs

This multi-sensory look at David Bowie’s life and career is an all-consuming affair that explores and safeguards the man’s legacy.

Decision to Leave – first-look review

By Hannah Strong

A police detective forms a dangerous bond with a woman suspected of murdering her husband in Park Chan-wook’s swooning crime drama.

Forever Young – first-look review

By Steph Green

Valeria Bruni Tedeschi mines her memories attending the prestigious Théâtre des Amandiers for this nostalgia-soaked drama.

The Super 8 Years – first-look review

By Mark Asch

Annie Ernaux and her son David piece together a magical home movie essay on marriage, motherhood and the whole damn thing.

The Five Devils – first-look review

By Caitlin Quinlan

A family’s quiet mountain life is disrupted by the arrival of a relative in Lea Mysius’ beguiling second feature.

The films of David Cronenberg – ranked

By Little White Lies

With a new feature film out in the world, we celebrate the corporeal classics of the Canadian body horror maestro.

Falcon Lake – first-look review

By Steph Green

First-time director Charlotte Le Bon draws out sweet performances from her young co-stars in this idyllic coming-of-ager.

War Pony – first-look review

By Charles Bramesco

Gina Gammel and Riley Keough’s debut feature focuses on two Oglala Lakota teenagers as they come of age in South Dakota.

Jerry Lee Lewis: Trouble in Mind – first-look review

By Mark Asch

Ethan Coen’s solo debut effort is a ribald and energising archive montage on the life of taboo-busting rocker, Jerry Lee Lewis.

Holy Spider – first-look review

By Hannah Strong

Ali Abbasi’s harrowing Iranian noir tells the true story of Saeed Hanaei, who murdered 16 female sex workers between 2000-2001.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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