by David Jenkins
The director of Compartment No. 6 on the joys of filming on location – in this case, a vintage passenger train.
by Marina Ashioti
In praise of Juho Kuosmanen’s Compartment No. 6 and a scene of human connection around shots of moonshine.
by Charles Bramesco
The ruling came in favor of Azadeh Masihzadeh, a former student of Farhadi’s, and her documentary All Winners All Losers.
by Sam Moore
The producer of The Canyons and The Card Counter reflects on his experience working with one of Hollywood’s most outspoken auteurs.
by Anton Bitel
Ethan Hawke stars in this poetic and strange thriller about a military operative chasing multiple threads in Rome.
Two roads diverged in a yellow wood; one, to a black-and-white Macbeth adaptation, the other, to sexploitation homage.
by Leila Latif
As he plays an overwhelmed indie director in Judd Apatow’s Covid comedy, the actor talks stunts and believing there really are no small parts.
by Molly Cavanagh
The American writer/director appears poised to offer a bold new take on the silent horror classic.
The upcoming Netflix film takes place in the brutal, heavily stratified society of 2044.
by Celestine Fraser
Oska Bright Film Festival is offering a bold, inspiring vision for how disability can be represented on and off the screen.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.