by Charles Bramesco
Fighter jets, egos, legacies – they’re all up in the air in the next-gen sequel to the military action classic.
by Hannah Strong
Bradley Cooper’s suave carny gets his comeuppance at the climax of Guillermo del Toro’s neo-noir.
by Anne-Sofie Lindgaard
Parallel Mothers and The Lost Daughter operate as engaging texts on the contradictions and complications of being a mother.
by Matt St Clair
As she receives an honorary Academy Award, we celebrate Liv Ullmann’s lead turn in an Ingmar Bergman classic.
A24 will produce the sci-fi fantasy set within a “strange galaxy” where a hostile force threatens two lovers.
by Elizabeth Wiart
Paul Thomas Anderson centres the quintessential awkward family dinner to delightful effect.
by Kambole Campbell
As part of their Japan season, the BFI presents a programme of new and classic animation plus special events.
by Erin Brady
A killer cast slashes through a disastrous hurricane party in a raunchy and fun romp meant for a theatre.
by Savina Petkova
To celebrate the release of The Worst Person in the World, we take a closer look at the locations which paint Oslo as a city of one’s own.
by Emily Maskell
This year’s BFI Flare Film Festival encouraged the LGBTQIA+ community to reflect on the past in order to build a better future.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.