This time-travelling neo-giallo from Edgar Wright contains a few stunning sequences, but flubs the final act.
By Ed Gibbs
Edgar Wright’s tribute to two of his musical heroes is an exhilarating look back over a unique pop career.
Lagergeddon? The hopocalypse? The bitter end? Edgar Wright and co are back for one final throw of the dice.
Although Scott Pilgrim is a hyperactive feast, its greatest strength is its studied literalism.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
