by David Jenkins
Wes Anderson returns with one of his most dazzling, rich and playfully self-reflexive films to date, brought to eye-popping life by an all-timer ensemble.
Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.
Martin Scorsese’s wistful remembrance of tragedies that befell the Osage nation is a film of high seriousness and low spectacle.
Brazil’s Kleber Mendonça Filho returns with this extremely charming personal survey of the grand picture palaces of Recife.
More verbose magnificence from Turkey’s Nuri Bilge Ceylan, who makes three-and-half hours whiz by with this comic portrait of an untreatable misanthrope.
Mexican provocateur Amat Escalante makes a half-cocked bid for mainstream respectability in this intriguing tale of a young man’s torrid search for his missing mother.
It’s an improvement on the execrable Crystal Skull, but James Mangold’s exhumation of the Spielberg adventure serial is both tame and unnecessary.
This deadpan philosophical crime caper from Argentina’s Rodrigo Moreno is a meandering and hilarious delight from end to end.
An in-your-face and vibrant gangster comedy set on the Ukraine-Romania border about a man who powers through life and directly into disaster.
How Davy Chou’s lilting identity crisis comedy traverses the bridges and barriers that come with language.
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