by David Jenkins
Charming, if slight Dreamworks animated feature in which a kraken hides in plain sight as a gawky teen high-schooler in the run-up to prom.
It’s an improvement on the execrable Crystal Skull, but James Mangold’s exhumation of the Spielberg adventure serial is both tame and unnecessary.
The four time Oscar-winner talks her formative connections with Stanley Kubrick and how she’s able to fulfil Wes Anderson’s unique aesthetic visions.
The maestro returns, the patented formula tweaked to blissful perfection in this witty and deeply moving exploration of the tools that we produce to help us see beyond our everyday vision.
Dionne Edwards’ debut feature reconstructs the stereotypes of Black masculinity in a way that’s honest and unsentimental.
The extinction of the human race is on the table with this join-the-dots seventh entry to the apparently beloved fighting robot-based mega franchise.
The psychological courtroom thriller with the great Sandra Hüller wins the top prize at the Cannes Film Festival.
This humanist portrait of care, surgery and technology is Verena Paravel and Lucien Castaing-Taylor’s most overtly socially conscious work.
Juliette Binoche and Benoît Magimel play late 19th century gourmands in Tran Ahn Hung’s scintillating epic of proto-foodie passions.
The long-awaited return of Spanish filmmaker Victor Erice is a slow-burn marvel which climaxes in a sequence of overwhelming profundity and mystery.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
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