Oscar Isaac beats the odds in the first trailer… | Little White Lies

Incoming

Oscar Isaac beats the odds in the first trail­er for The Card Counter

27 Jul 2021

Words by Charles Bramesco

A man in a dark suit sitting at a desk, writing on a document while a bottle of liquor stands nearby.
A man in a dark suit sitting at a desk, writing on a document while a bottle of liquor stands nearby.
He’s a card shark, vengeance-seek­er, and pos­si­ble war crim­i­nal in Paul Schrader’s new crime drama.

With his faith-based extrem­ism dra­ma First Reformed, Paul Schrad­er gave us one of the crit­i­cal corps’ con­sen­sus picks for the best film of the 2010s, a mod­ern para­ble of plan­e­tary destruc­tion and doomed efforts at sal­va­tion. No easy act to fol­low up, but the new­ly released trail­er for his fol­low-up The Card Counter sug­gests he’s more than up to the task.

The first sub­stan­tive look at the film appeared online this morn­ing in advance of its recent­ly announced pre­mière at the Venice Film Fes­ti­val, and it announces itself as a Schrad­er project right off the bat with a shot of a seri­ous, des­per­ate man unpack­ing the con­tents of a suit­case on a hotel bed. (Shades of both First Reformed and its key influ­ence, the Schrad­er-writ­ten Taxi Dri­ver.)

That man is the sure­ly-sym­bol­i­cal­ly-named William Tell (Oscar Isaac), an expert gam­bler with a haunt­ed past that seems to involve human rights vio­la­tions dur­ing the War on Ter­ror under the super­vi­sion of his sadis­tic com­mand­ing offi­cer Major John Gor­do (Willem Dafoe). In the present day, William’s hus­tle along­side his mon­ey-wom­an/ro­man­tic oppo­site La Lin­da (Tiffany Had­dish, going against type) is threat­ened by an oppor­tu­ni­ty to take revenge on Gor­do with the help of a younger man (Tye Sheri­dan) also sworn on get­ting even with the sin­is­ter figure.

As a film by Paul Schrad­er, there are a few things we can secure­ly bank on: that the sacred and pro­fane will be bold­ly inter­min­gled, that our protagonist’s sense of des­per­a­tion will even­tu­al­ly con­sume him, and that the dark work of the Amer­i­can super­pow­er will be laid bare before us. That still leaves plen­ty of room for enig­mat­ic ques­tions, such as why Isaac’s char­ac­ter feels com­pelled to wrap all the fur­ni­ture in his imme­di­ate vicin­i­ty in sheets like he’s get­ting prepped for a mov­ing crew.

After spend­ing much of his career lurk­ing around the grungi­er fringes of Hol­ly­wood, it’s been inter­est­ing to see the main­stream attempt to some­what embrace Schrader’s work, First Reformed hav­ing net­ted him his first Oscar nom­i­na­tion and The Card Counter now poised as Focus Fea­tures’ big awards push. Oscar Isaac being a major-league star with the sort of name that guar­an­tees a built-in audi­ence, the new film could broad­en its director’s pop­u­lar­i­ty even wider, so long as the Amer­i­can pub­lic is ready for the unfil­tered can­dor of his Face­book posts.

The Card Counter will come to cin­e­mas in the US on 10 Sep­tem­ber, and then the UK on 5 November.

You might like