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Is Quentin Taran­ti­no the right per­son to make a film about the Man­son Fam­i­ly murders?

12 Jul 2017

Words by Josh Howey

Close-up of a man with a serious expression, slight beard, and a checked shirt.
Close-up of a man with a serious expression, slight beard, and a checked shirt.
He’s already writ­ten a script based on the noto­ri­ous true crime.

Quentin Taran­ti­no is poised to return to the world of fea­ture film­mak­ing in unex­pect­ed and slight­ly con­cern­ing fash­ion. Word has it that for his next film the writer/​director is set to tack­le the Man­son Fam­i­ly mur­ders which occurred on 8 August, 1969.

Lit­tle is known about the specifics of the project, but Taran­ti­no has report­ed­ly writ­ten the script and is keen to direct. Know­ing what we do about the crit­i­cal­ly-acclaimed, trig­ger-hap­py film­mak­er, it’s worth ask­ing whether his dis­tinc­tive style is suit­ed to bring­ing this trag­ic sto­ry to the big screen.

News of the mur­ders stunned the world after cult leader Charles Man­son ordered four of his fol­low­ers to break into the Los Ange­les home of direc­tor Roman Polan­s­ki and actress Sharon Tate. What ensued was the bru­tal slay­ing of four guests along­side an eight-month preg­nant Tate. (Polan­s­ki was film­ing in Europe at the time.)

Numer­ous films have drawn on the Man­son Fam­i­ly and their atroc­i­ties, from Hel­ter Skel­ter in 1976 to Man­son, My Name is Evil in 2009, but nev­er before has this infa­mous crime formed the basis of a major release. Of course, Taran­ti­no is no stranger to explor­ing con­tro­ver­sial top­ics, hav­ing pre­vi­ous­ly made films about slav­ery (2012’s Djan­go Unchained) and the fall of the Nazis (2009’s Inglo­ri­ous Bas­ter­ds).

But while he has suc­cess­ful­ly reimag­ined his­tor­i­cal events in the past, there’s some­thing iffy about the prospect of this par­tic­u­lar inci­dent being giv­en the Taran­ti­no treat­ment. Vio­lence is a promi­nent fea­ture of all his films, yet the gris­ly nature of the sub­ject mat­ter may call for a more sen­si­tive approach in this instance.

As the first Taran­ti­no project to be based on a real-life crim­i­nal case, it will also be inter­est­ing to see how or indeed if the film fits into his exist­ing direc­to­r­i­al canon. Are we like­ly to see a descen­dent of Djan­go Unchained’s Calvin Can­die make a brief cameo? Or will this sit out­side the Taran­ti­no-verse as we know it? In any case, it will be fas­ci­nat­ing to see what one of cinema’s sharpest minds makes of this noto­ri­ous true crime story.

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