By Carly Mattox
From Downton Abbey to an Alpine horror via plenty of unnerving roles, Dan Stevens is forging his own fascinating path through filmmaking.
By Lewis Powell
A relatively new concept in exhibition, these neurodivergent-friendly events aim to widen cinema participation – but there's still a long way to go.
As Cate Blanchett stars in Borderlands, we survey her various forays into the world of high budget, high profile filmmaking.
The great Naomi Ackie graces the vibrant cover of our new issue celebrating Zoë Kravitz’s directorial debut.
By Sam Moore
On the late night programming block of an American television channel a series of bleak parody shorts riff on the relationship between the internet and spectatorship.
A new crop of films exploring the tension that comes with trying to assimilate in a new country ring true for one writer.
As Prince's groundbreaking feature debut turns 40, its daring attitude towards gender and sexuality still feels revolutionary.
As Risky Business enters the Criterion Collection, we plot the trajectory of a star seemingly incapable of burning out.
From an average anatomy baseball player to a sarcastic personal assistant, Hollywood's newly anointed man of the moment appears to have figured out the formula for success.
Born first as a programme at The Cinema Museum, The Nickel is now moving into a permanent space, offering deep cuts and obscurities to a cine-curious audience.
The unofficial, often open matte scans of these films preserve a tactile history of cinema in its imperfect totality.
Within the wildly successful movies adapted from Sparks' bestselling novels, there's a formula for romantic success.
By Fran Bowden
Three decades on from its release, this 90s thriller echoes the disenfranchisement of young people and sensationalisation of shoplifting.
By Anton Bitel
A maligned VR pioneer, a Powell and Pressburger gem and an Italian football thriller are headed for home ents this month.
A state-funded cinema and archive, the Cineteca Nacional is a beautiful example of a public arts space – but is it for the few, rather than the many?
Meeting monthly at Dalston's Rio Cinema, this new project shows experimental visual art that defies classical categorisation.
The past is undeniably present in contemporary representations of the British war effort, representing an obsession with former military glory and world influence.
Yorgos Lanthimos is up to his old tricks with this delightfully mean allegorical anthology.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
