By Mark Asch
Mark Asch recalls the sultry summer of 2017, when Dale Cooper returned to television and the world was forever changed.
Sophie Monks Kaufman recalls a strange vision in the nighttime and the haunting nature of David Lynch's 1997 neo-noir.
David Lynch's one-time adventure in Hollywood blockbuster filmmaking would forever change him – but not his heart.
By Callie Petch
In an age of Walk Hard knock-offs, why are the biopics that continue to play it safe the biggest success stories?
Throughout his career – though perhaps nowhere so much as in Inland Empire – David Lynch carved out a space for powerful depictions of women in crisis.
By Esmé Holden
David Lynch's little-seen cartoon series about an angry man named Randy couldn't be more pertinent.
A tendency in male-directed Iranian cinema to focus on violence against women leaves female audiences out in the cold.
By Juan Barquin
Mark Frost and David Lynch's beloved television series is a testament to the greatest power human beings have.
A snakeskin jacket stands for so much in David Lynch's lurid fairytale Wild at Heart.
Willow Catelyn Maclay reflects on the lonely last days of Laura Palmer in David Lynch's Twin Peaks prequel.
Adam Woodward reflects on the importance of a cup of coffee in David Lynch's Hollywood neo-noir.
In our tribute to the works and worlds of David Lynch, David Jenkins reflects on his most spiritual film.
By John Livesey
As the BFI celebrates the legacy of an acting icon, we delve into Poitier's complex legacy.
The shadow of the Holocaust and the filmmaker's personal experience with it looms large across Billy Wilder's most influential and enduring work.
By Carly Mattox
Several of 2024's films explore the relationship between movement and belonging, with intriguing – and often moving – results.
A writer reflects on Sergei Eisenstein's little-known research trip to California, where he took in the sights of Sutter's Fort.
By Mathew Ko
A century after the birth of James Baldwin, his words continue to echo across filmmaking culture.
There is a troubling history of male survivors of sexual assault being treated as a joke in film and television – one writer recounts finding solace in another story.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
