Latest | Little White Lies

Latest

Woman in hijab and keffiyeh speaking into multiple microphones amidst crowd.
Review

The Encampments review – inspiring portrait of collective action

by Josh Slater-Williams

Kei Pritsker and Michael T Work­man chron­i­cle the stu­dent move­ment for Pales­tine through the Gaza Sol­i­dar­i­ty Encamp­ment at Colum­bia University. 

3
Anticipation
4
Enjoyment
4
In Retrospect
Two people lying on grass against mountainous backdrop.
Review

Falling Into Place review – Sally Rooney-core for the big screen

by David Jenkins

Aylin Tezel writes, directs and stars along­side Chris Ful­ton in this meet-cute roman­tic dra­ma set between Lon­don and the Isle of Skye.

3
Anticipation
3
Enjoyment
3
In Retrospect
A young blonde woman standing in dark water, holding a wooden pole as a weapon.
Review

Dangerous Animals review – why sharks? They’re cinematic!

by Anton Bitel

Preda­tors and prey share the same ter­rain in this psy­cho­log­i­cal­ly twist­ed shark thriller from genre film­mak­er Sean Byrne.

4
Anticipation
4
Enjoyment
4
In Retrospect
Sleeping woman in foreground, people in background, red and white text overlay
Podcast

Cannes Film Festival Debrief 2025

On Truth & Movies this week, the LWLies team will be talk­ing us through the biggest and best titles from the Cannes Film Fes­ti­val this year. 
Black and white image of a person lying in a bed, surrounded by snow-covered furniture and decor.
Review

Bogancloch review – film and landscape are as one

by David Jenkins

The lure of the Scot­tish wilder­ness was too much to resist as Ben Rivers returns there for his lat­est feature.

4
Anticipation
4
Enjoyment
4
In Retrospect
Three people, a woman in a headscarf covering her mouth, a woman with a concerned expression, and an older man with a beard, sitting together in a dimly lit room.
Review

The Ritual review – fails to scare, entertain or convert

by Billie Walker

Al Paci­no and Dan Stevens can’t save this awful excuse for an exor­cism thriller.

3
Anticipation
2
Enjoyment
1
In Retrospect
Turquoise and white vintage convertible car at night, with two people sitting inside.
Review

Along Came Love review – an intimately epic love story

by Sophie Monks Kaufman

Katell Quillévéré’s poet­ic French peri­od dra­ma is pow­ered by an under­stat­ed chem­istry between Anaïs Demousti­er and Vin­cent Lacoste.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two people, a man and a woman, standing on a beach with grassy hills in the background. The man is wearing a colourful graphic T-shirt and a teal cardigan, while the woman is wearing a patterned, multi-coloured coat.
Review

The Ballad Of Wallis Island review – relishes in daft physical comedy

by Katherine McLaughlin

Come­di­an col­lab­o­ra­tors Tim Key and Tom Bas­den co-write and co-star in James Grif­fiths’ pleas­ant bro­mance flick.

4
Anticipation
4
Enjoyment
3
In Retrospect
Silhouette of a person seated on a bench in a misty, blue-toned environment.
Festivals

Resurrection – first-look review

by Hannah Strong

Bi Gan’s third fea­ture is an epic in every sense of the word, tak­ing view­ers on a sprawl­ing odyssey through cinema.
Man in a flat cap, wearing a brown coat, standing in a snowy street next to a parked car.
Festivals

The Mastermind – first-look review

by Hannah Strong

An art theft spells dis­as­ter for Josh O’Con­nor in Kel­ly Reichardt’s excel­lent Viet­nam-era heist dramedy.