by Emma Kiely
The latest Colleen Hoover book adaptation is a grim dose of misery and trauma porn punctuated by a terrible lead performance and an undeniable conservative sheen.
by Maia Wyman
The imagery of Terrence Malick’s 2011 masterpiece has borne plentiful fruit – for better or for worse.
by Hannah Strong
Glen Powell stars in John Patton Ford’s lacklustre satire about a disinherited rich kid scheming to take down his own family.
by David Jenkins
Claes Bang is well-cast as the late, little known Danish architect Johan Otto von Spreckelsen, designer of Paris’s Grande Arche de la Défense.
by Vuk Winrow
In a landmark piece of Slovenian cinema, Stanko Jost articulated the challenges and beauty of queer desire.
by Josh Slater-Williams
Bi Gan’s third feature is an epic in every sense of the word, taking viewers on a sprawling odyssey through cinema.
by Emily Maskell
Donna Deitch’s 1986 lesbian romance is a fearless example of why it’s so important the queer community are able to tell their own stories.
Mascha Schilinski’s beguiling drama follows four generations living in the same rural German farmhouse and the cyclical nature of their trauma.
Maggie Gyllenhaal’s attempt at a riot grrl spin on The Bride of Frankenstein is a shambling corpse in dire need of a closed casket.
by Sophie Monks Kaufman
Jodie Foster stars as a psychiatrist trying to solve a potential murder in Rebecca Zlotowski’s underwhelming drama.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.