Hayao Miyazaki’s new film How Do You Live? will… | Little White Lies

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Hayao Miyazaki’s new film How Do You Live? will come to cin­e­mas in 2023

13 Dec 2022

Words by Charles Bramesco

Elderly man with white hair and beard wearing sunglasses, sitting in a garden with a white cat on a table.
Elderly man with white hair and beard wearing sunglasses, sitting in a garden with a white cat on a table.
Japan­ese the­aters will get the ani­mé mas­ter’s lat­est in June.

Most of the world had accept­ed that the Japan­ese ani­ma­tion great Hayao Miyaza­ki hung up his sty­lus after his last fea­ture The Wind Ris­es, and resigned our­selves to a future of smil­ing and nod­ding polite­ly through the films of his son Goro. But life is long and full of sur­pris­es, and what is the cor­pus of Stu­dio Ghi­b­li about if not the sud­den, unex­pect­ed appear­ance of the miraculous?

All of which is to say that it turns out Miyazaki’s got anoth­er one in him. Today brings the once-feared-impos­si­ble news that the mas­ter will return for anoth­er fea­ture-length ani­mat­ed film, titled in Eng­lish as How Do You Live? Not too much is known about the project at present, but the sim­ple fact of its exis­tence is what real­ly counts, and Japan­ese movie­go­ers will be able to report back by the the­atri­cal run in July if a bow at Cannes isn’t in the works.

Pro­mot­ed with a poster of a bird that may or may not have an eye com­ing out of its mouth beneath a pair of fake eyes, the film will loose­ly adapt Gen­z­aburo Yoshino’s 1937 nov­el of the same name, though the book is also known and cher­ished by the unspec­i­fied pro­tag­o­nist of Miyazaki’s script. In the nov­el, a fif­teen-year-old boy named after Coper­ni­cus embarks upon an odyssey of philo­soph­i­cal inquiry through pre­war Tokyo, using his dis­cov­er­ies about the heav­ens, earth and human nature to deter­mine the best way to live,” per an offi­cial synopsis.

The hand-drawn poster sug­gests that Miyaza­ki may employ his sig­na­ture ani­ma­tion style once again, but reports of var­i­ous non-starters over the years have hint­ed at the film­mak­er explor­ing the com­put­er ani­ma­tion tech­niques he’s pre­vi­ous­ly claimed to deplore. At eighty-one years old, he could still be full of surprises.

It’s been a decade since the last new work from Miyaza­ki, and it seems like­ly that this avian-themed film will be his swan song. If that’s the case, we should just con­sid­er our­selves lucky to have one last chance to enter his tran­quil, dev­as­tat­ing universe.

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