Pinewood at 80 – Inside the iconic film studio | Little White Lies

Pinewood at 80 – Inside the icon­ic film studio

15 Dec 2016

Words by Lara C Cory

A hand styling a mature woman's hair with a large, ornate headpiece.
A hand styling a mature woman's hair with a large, ornate headpiece.
The gold stan­dard of British pro­duc­tion has been home to every­thing from James Bond to Star Wars over the years.

It’s no coin­ci­dence that Pinewood sounds a bit like Hol­ly­wood. The now-icon­ic British stu­dio was named not only after the pine trees that grow in the area, but also, as the studio’s founder Charles Boot once quipped, because it seemed to sug­gest some­thing of the Amer­i­can film cen­tre in its sec­ond syl­la­ble.” What was once a lux­u­ri­ous­ly appoint­ed Vic­to­ri­an man­sion in Iver Heath Buck­ing­hamshire named Heather­den Hall was des­tined to become Hollywood’s fiercest rival, a world-beat­ing cor­po­rate beast that nev­er los­es sight of the fact that its prod­uct’ as such is art,” as Bob McCabe put it.

What began with a flour-mill heir’s ambi­tion to make reli­gious films and an unusu­al part­ner­ship with a builder, a mil­i­tary film­mak­er and an extreme­ly wealthy wid­ow, soon yield­ed the ten­ta­tive begin­nings of a major film stu­dio which would even­tu­al­ly become a British insti­tu­tion. Yet you only need to dip briefly into Pinewood’s his­to­ry to dis­cov­er that, in fact, the Buck­ing­hamshire back lot has been on a knife’s edge for much of its life.

To cel­e­brate Pinewood Studio’s 80th anniver­sary, award-win­ning film writer Bob McCabe was com­mis­sioned to write Pinewood: The Sto­ry of an Icon­ic Stu­dio’. The pic­to­r­i­al and his­tor­i­cal hard­cov­er tells the sto­ry of the famed British stu­dio, from its infan­cy as a coun­try club to its expan­sion as a glob­al con­cern. Pinewood has weath­ered many storms and still man­aged to turn out an aston­ish­ing num­ber of block­busters and beloved film and tele­vi­sion pro­duc­tions. To name just a few: Oliv­er Twist, The Red Shoes, Bugsy Mal­one, Chit­ty-Chit­ty Bang-Bang, The Cary-on films, the James Bond fran­chise, Super­man, Alien, Bat­man (Burton’s and Nolan’s), Mis­sion: Impos­si­ble, most Kubrick films and a host of more recent suc­cess­es includ­ing Hugo, Ex Machi­na, Prometheus, The Hob­bit saga and the new Star Wars chapters.

An elderly man in a suit stands in a garden, holding a garden fork.

McCabe believes Pinewood and the peo­ple run­ning it always pos­sessed fore­sight and rarely rest­ed on their lau­rels. Even after they joined with Shep­per­ton,” he says, they con­tin­ued their expan­sion over­seas, from Cana­da to Malaysia to the US, and, next stop, Chi­na.” Pro­duc­er and Pres­i­dent of Lucas­film, Kath­leen Kennedy, has always con­sid­ered Pinewood as the gold stan­dard’ and it’s cer­tain­ly not an unwar­rant­ed opin­ion. The films shot at Pinewood’s fam­i­ly of stu­dios in recent times reflect the biggest glob­al box-office suc­cess­es in the new millennium.

Rid­ley Scott has called it a film com­mu­ni­ty’ and McCabe agrees that it’s the peo­ple of Pinewood that attract some of the most sig­nif­i­cant movies and film­mak­ers around. All most all of the Bond films have been shot at Pinewood, and oth­er major film brands such as Mar­vel and Star Wars have fol­lowed suit, mak­ing use of expe­ri­enced and high­ly-skilled tech­ni­cians avail­able at Pinewood.

Scuba divers with camera equipment, underwater in a blue-tinted environment.

McCabe says, You have the likes of Rid­ley Scott, Ken Branagh, Tim Bur­ton, and before them, Richard Atten­bor­ough, who return to the stu­dios over and over again, part­ly through a sense of con­ti­nu­ity, but once again because of the tal­ent pool on hand. And that pool is some­thing that Pinewood are aware of and keen to build upon.” But it’s not all sure-bets and big-spenders – the stu­dio also takes on small­er projects, such as Alex Garland’s 2015 direc­to­r­i­al debut, Ex Machi­na. This mod­est­ly bud­get­ed sci-fi went on to beat The Force Awak­ens to the Best Spe­cial Effects Oscar.

In terms of nur­tur­ing young tal­ent,” McCabe con­cludes, the stu­dio also pro­vide tech­ni­cal assis­tance to young stu­dent film­mak­ers, aware that the first timer they help today could well be direct­ing Episode XII a few years down the line.“

Pinewood: The Sto­ry of an Icon­ic Stu­dio’ is out now.

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