Terrence Malick’s 2011 masterpiece has borne plentiful fruit
by Desirae Embree
Maggie Gyllenhaal’s reimagining of James Whale’s 1935 classic The Bride of Frankenstein marks 40 years in the singular career of costume designer Sandy Powell.
by Vuk Winrow
In a landmark piece of Slovenian cinema, Stanko Jost articulated the challenges and beauty of queer desire.
We deliver a fully-illustrated salute to Jim Jarmusch’s Golden Lion-winning triptych film about the pain and joy of having parents.
by Michael Leader
Ugo Bienvenu’s feature debut is equal parts polished and particular, whimsical and weird.
by Hannah Strong
Ryan Gosling’s charisma is what really sells this adaptation of Andy Weir’s novel about a science teacher-turned-astronaut stranded in space.
by David Jenkins
Paolo Sorrentino’s latest tries to recapture the unruly political bite of his early films, with mixed results.
by Katherine McLaughlin
The 60s rock legend gets a career-spanning portrait in the form an unconventional hybrid doc by filmmaker duo Iain Forsyth and Jane Pollard.
by Callie Petch
Mamoru Hosada sings his typical notes atypically off-key in this ambitious but messy fantasy loosely inspired by Hamlet.
A final act revelation lands with a clunking thud in Kei Ishikawa’s downbeat story of a mother’s choice to leave Japan after the war.
by Maia Wyman
The imagery of Terrence Malick’s 2011 masterpiece has borne plentiful fruit – for better or for worse.
by Emily Maskell
Donna Deitch’s 1986 lesbian romance is a fearless example of why it’s so important the queer community are able to tell their own stories.
by Patrick Sproull
Between the firing of Melissa Barrera for supporting Palestine and a staunch refusal to innovate, the once-beloved horror series has reached new lows.
by Claire Biddles
Meeting the compositional maestro behind the complex web of sounds and rhythms in Mona Fastvold’s The Testament of Ann Lee.
by Paul Weedon
The French electronic duo were the musical backbone behind Sofia Coppola’s startling debut. A 25th anniversary reissue saw them reconstructing much of their work from scratch.
by Mila Fielker
A dystopian retro-future of telepathic mutants, gladiators and fascists – does Joe D’Amato’s vision of 2025 show any resemblance to our current reality?
by Lexie Corbett
The unofficial, often open matte scans of these films preserve a tactile history of cinema in its imperfect totality.
by Anna McKibbin
The visual album is a key, genre-defying vessel for pop music titans transferring the symbolic power of their music to image-making.
by Sarah Cleary
Metal is often given short shrift at the movies, but a handful of great auteurs have used the genre and its subculture to brilliant effect.
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