Cannes Film Festival

Cate Blanchett named Jury President of the 2018 Cannes Film Festival

By Little White Lies

The Carol and Blue Jasmine star will judge this year’s Palme d’Or contenders.

Cannes Film Festival 2017 – The winners

By David Jenkins

The world’s greatest film festival is over for another year, and here are all the films that received awards.

Cannes Film Festival 2017: Palme d’Or predictions

By David Jenkins

Three scenarios for who might win big at this year’s prize giving.

Based on a True Story – first look review

By David Jenkins

This cunning literary thriller from Roman Polanski intrigues rather than wows at the 2017 Cannes Film Festival.

You Were Never Really Here – first look review

By Sophie Monks Kaufman

Joaquin Phoenix bares his soul in Lynne Ramsay’s noir-tinged New York thriller.

The Rider – first look review

By Elena Lazic

Chloe Zhao’s hushed neo western offers a feminist perspective on a man in crisis.

Radiance – first look review

By David Jenkins

Naomi Kawase channels Mills and Boon in this romance about the world of film audio description.

A Gentle Creature – first look review

By David Jenkins

Corruption and vice reign supreme in Sergei Loznitsa’s punishingly bleak descent into the bowels of Russia.

Top of the Lake: China Girl – first look review

By Matt Hoffman

Jane Campion and Elisabeth Moss return for a brilliant second season of this atmospheric crime saga.

Good Time – first look review

By David Jenkins

Robert Pattinson slays it as a petty hood on a downward spiral in the Safdie brothers’ ace crime thriller.

Jeune Femme – first look review

By David Jenkins

This delectable French coming-of-age farce is powered by a stunning central performance from actor Laetitia Dosch.

The Beguiled – first look review

By Sophie Monks Kaufman

Sofia Coppola stuns the Cannes crowd with an intoxicating film about repressed female sexuality.

The Day After – first look review

By Manuela Lazic

Another day, another delicate, insightful gem from Korean director Hong Sang-soo.

The Killing of a Sacred Deer – first look review

By Sophie Monks Kaufman

A nasty case of dramatic inertia blights Yorgos Lanthimos’ latest black comedy.

24 Frames – first look review

By David Jenkins

This delicate parting shot from the great Abbas Kiarostami is a wistful contemplation on the nature of the moving image.

The Florida Project – first look review

By David Jenkins

A shot of pure cinematic joy from Tangerine director Sean Baker – and a big highlight of the 2017 Cannes Film Festival.

Come Swim – first look review

By Matt Hoffman

Kristen Stewart presents her visually arresting directorial debut at the 2017 Cannes Film Festival.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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