Elliott Gould

The Long Goodbye: Robert Altman’s hooray for Hollywood

By Sam May

This 1973 pulp classic sees Elliott Gould’s Philip Marlowe navigate LA’s seedy underbelly.

The Touch (1971)

By David Jenkins

Ingmar Bergman’s first English-language feature is a lost, mid-career gem, unearthed and restored by the BFI.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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