Ahead of the BFI's landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.
The famed photographer turns his hand at filmmaking with a study of extreme trauma and slow healing in The After.
By Simon Bland
The writer, director and co-star of BlackBerry – an irreverent take on the rise and fall of a tech giant – reflects on his third feature while making his way across Toronto.
By Henry Boon
Alice Russell's new documentary captures the work of Bikestormz, a passionate community of cyclists aiming to promote community among some of the capital's most disenfranchised kids.
The Spanish filmmaker reflects on the romance at the heart of his new queer western, Strange Way of Life, and the freedom of working in a shorter format.
The wildly imaginative and highly resourceful filmmaker behind Uganda's ultra low budget studio Wakaliwood describes his own cinematic education, travelling to China to shoot Shaolin monks, and the next generation of African filmmakers.
Ira Sachs' latest drama features steamy sex, passionate rows, and some of the best cinematic knitwear in years. We speak to the film's costume designer to find out how the film developed its signature style.
By Elena Lazic
The French star discusses The Innocent, his fourth feature film as a director and a quintessentially French hybrid of romantic comedy and heist thriller.
The Scrapper star on getting into character, upsetting the make-up department and improvising opposite a tenacious 11-year-old.
By Simon Bland
Partially inspired by the turbulent home life of one of its stars, this hard-hitting coming-of-age drama still packs a punch – even for director and co-writer Catherine Hardwicke.
As Variety returns with a 2K restoration, Bette Gordon reflects on the making of a cult classic, her love for ‘80s New York and her friendship with Nan Goldin.
The French filmmaker on the nuances of recreating a real-life terrorist attack in her reflective new film, Paris Memories.
Alan Dean Foster, who has adapted the likes of Alien and Star Wars for the page, explains the highly specific art of transforming sci-fi epics into page-turners.
The long-time collaborator and star of Wes Anderson's Asteroid City speaks on their enduring friendship, Stanley Kubrick, and learning to talk without moving your mouth.
The four time Oscar-winner talks her formative connections with Stanley Kubrick and how she’s able to fulfil Wes Anderson’s unique aesthetic visions.
The maestro behind Asteroid City leaves a voice note for LWLies, reflecting on naming conventions, sci-fi films, and working with his best friends.
To celebrate the release of Emile Mosseri's new album, he sat down with old pal and collaborator Joe Talbot for a chat about Tupac, George Constanza, and swimming in LA lakes.
By Abbey Bender
As seminal 90s cult movie Party Girl receives a 4K restoration, Parker Posey reflects on her first starring role and nostalgia for the New York City of the past.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
