By Sam Moore
The producer of The Canyons and The Card Counter reflects on his experience working with one of Hollywood’s most outspoken auteurs.
By Leila Latif
As he plays an overwhelmed indie director in Judd Apatow’s Covid comedy, the actor talks stunts and believing there really are no small parts.
By Elena Lazic
The master of the erotic thriller talks Deep Water, his long absence, and working with Ben Affleck and Ana de Armas.
The star of Jacques Audiard’s Parisian drama reflects on her whirlwind journey from first-time actor to the Cannes red carpet.
The writer/director of The Worst Person in the World ponders love, death and the possibility of a cosmic order to all things.
By Elena Lazic
The beguiling star of Sebastian Meise’s Great Freedom reflects on his career so far and the future of cinema.
The man behind the return of Gotham’s favourite son reveals why Robert Pattinson was his first and only choice.
The clown prince of MTV reflects on returning to Jackass 20 years after it all began, and if the new stunts still hurt like they used to.
The star of Sundance hit Jockey speaks on the intricacy of working with animals and his love of movie westerns.
As Belle hits UK cinemas, the acclaimed Japanese director talks Digimon, virtual cityscapes, and parenthood in the digital age.
The creator and star of Licorice Pizza take us on a tour through the San Fernando Valley and reveal why HAIM love to walk everywhere.
The legendary Chadian director speaks candidly about reproductive rights in his home country and supporting the next generation of filmmakers.
By Katie Goh
One of the UK’s most promising young actors reveals how contemporary politics influenced his role in Munich: The Edge of War.
The director and his team relay the secrets of breathing new life into one of the most hallowed texts in all of history.
The French model-turned-actor on getting into character for her breakout role in Julia Ducournau’s Titane.
The in-demand Korean-American actor reflects on his role in Stephen Karam’s intimate ensemble drama The Humans.
The actor on stepping behind the camera for her powerful and enigmatic Elena Ferrante adaptation, The Lost Daughter.
The cinematographer reveals the trick to shooting digital cows, and why the film is really a monster movie.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
