This amazing VFX breakdown shows how The Jungle… | Little White Lies

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This amaz­ing VFX break­down shows how The Jun­gle Book was made

22 Feb 2017

Words by Adam Woodward

See Baloo, Bagheera and co come to life via the lat­est com­put­er ani­ma­tion technology.

Ini­tial­ly we approached Disney’s live action redo of their 1967 ani­mat­ed clas­sic with some skep­ti­cism. As it turned out, direc­tor Jon Favreau absolute­ly nailed it. Yet while we loved the dark­er direc­tion in which he took Rud­yard Kipling’s beloved sto­ry, per­haps the most impres­sive thing about the film was how it looked.

MPC, the lead Lon­don-based VFX stu­dio respon­si­ble, have just released an amaz­ing behind-the-scenes look at how the stun­ning CG envi­ron­ments of The Jun­gle Book was brought to life using the lat­est tech­nol­o­gy. It shows how Baloo the bear, Mowgli’s wolf fam­i­ly, Bagheera the pan­ther, Kaa the python and the vil­lain­ous tiger Shere Khan were built using new soft­ware which ren­dered the ani­mals’ mus­cles, skin and fur in hyper-real­is­tic com­put­er animation.

And not just the ani­mals: the VFX team was required to cre­ate a liv­ing, breath­ing world filled with plants, trees and insects. Artists at MPC’s Ban­ga­lore stu­dio took more than 100,000 pho­tographs of real loca­tions in the Indi­an jun­gle, and built a mas­sive library of resource mate­r­i­al that was then recre­at­ed down to the finest detail. We think you’ll agree the results are pret­ty extraordinary.

Visu­al Effects Super­vi­sor Adam Valdez explains, Jon talked about how our jun­gle was the stage for pri­mal mythol­o­gy. It’s not a fairy tale. But watch­ing the final scenes is mag­i­cal in a way. He also saw the oppor­tu­ni­ty to give audi­ences the wish ful­fil­ment of liv­ing with ani­mals, and for that the world and char­ac­ters need­ed to pass the test of unblink­ing believ­abil­i­ty. We had to cre­ate an expe­ri­ence that was charm­ing like the clas­sic ani­mat­ed film, but intense when the sto­ry need­ed it.”

The MPC team are up for the Best Visu­al Effects Oscar, hav­ing already picked up a BAF­TA, Crit­ics Choice award and a bunch more acco­lades. Check out the VFX break­down video above and see why.

Two illustrated book covers depicting a smiling Black man wearing a hat and tie, with a city skyline in the background

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