Tribeca Film Festival | Little White Lies

Tribeca Film Festival

Diverse group of youths gathered around a skate park, some with skateboards, enjoying leisure time together.
Festivals

A new documentary about Kids serves as a stark cautionary tale

by Ed Gibbs

Twen­ty-five years on, the cast of Lar­ry Clark’s con­tro­ver­sial ​’90s hit reflect on their expe­ri­ences on and off set.
Fish swimming in green lake, mountain landscape in background
Festivals

A new documentary exposes the devastating reality of fish farming

by Ed Gibbs

Arti­fishal reveals the grim impact human­i­ty is hav­ing on wild salmon populations.
Close-up image of a woman with curly blonde hair, wearing a sparkling blue costume, standing on a stage holding a pole.
Festivals

You Don’t Nomi – first look review

by Ed Gibbs

Paul Verhoeven’s infa­mous­ly trashy Show­girls is reap­praised by com­men­ta­tors and fans ahead of its 25th anniversary.
Several people working at desks in a busy office environment.
Festivals

The Fourth Estate – first look review

by Marshall Shaffer

Liz Gar­bus’ com­pelling doc­u­men­tary details The New York Times’ cov­er­age of Don­ald Trump’s first year in office.
A Twitter post with a text message containing a romantic message to "Anita" about the user's feelings and desires.
Festivals

A new film exposes the shocking cyber harassment faced by women

by Ed Gibbs

Cyn­thia Lowen’s inti­mate doc Neti­zens fol­lows three vic­tims of online abuse as they look to take back control.
Man with spiky blonde hair sitting at a table, looking pensive and resting his chin on his hand.
Festivals

The Public Image is Rotten – first look review

by Ed Gibbs

John Lydon’s post-Sex Pis­tols career is exam­ined in this inti­mate doc that proves as frus­trat­ing as it is fascinating.
Two men standing on a dusty desert road, with mountains in the background.
Festivals

The Endless – first look review

by Anton Bitel

Direc­tors Justin Ben­son and Aaron Moor­head serve up a meta med­i­ta­tion on cults in this smart genre-blur­ring thriller.
Rumpled red duvet on bed, vibrant purple lighting, indistinct sleeping figure.
Festivals

King Cobra – first look review

by Ed Gibbs

This dark­ly com­ic fac­tu­al dra­ma hits all the right notes thanks to inspired turns from Chris­t­ian Slater and James Franco.
A woman with curly hair wearing a pink top holds a blue drink with ice cubes. She has a serious expression on her face as she looks directly at the camera.
Festivals

All We Had – first look review

by Ed Gibbs

Katie Holmes puts in a mem­o­rable shift as a strug­gling sin­gle mom in her impres­sive direc­to­r­i­al debut.
Silhouettes of two figures, one child and one adult, standing in doorway overlooking outdoor scene with boats and greenery.
Festivals

Adult Life Skills – first look review

by Sophie Monks Kaufman

Rachel Tunnard’s impres­sive debut fea­ture takes a lighter look at the stress­es of mod­ern living.
Hands holding syringe with liquid droplet dispensing.
Festivals

Why the Tribeca Film Festival was right to pull Vaxxed

by Chris Barsanti

Seri­ous ques­tion marks remain over the agen­da of Andrew Wakefield’s anti-vac­ci­na­tion documentary.

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