We go behind the scenes on the cover of LWLies 102: The Challengers Issue with illustrator, Swedish artist and graphic designer Petra Eriksson.
By Leigh Singer
The star of Martin Scorsese's down and dirty 1985 runaround reflects on the strange journey of getting After Hours made and how Spielberg and De Palma influenced the film's ending.
The married duo behind Drive-Away Dolls bicker about Russ Meyer and reveal their plans for queer comedy genre movie domination.
The Japanese filmmaker reflects on the moving experience of working with composer Ryuichi Sakamoto on his final score, for his new drama Monster.
By Simon Bland
From Saturday Night Live’s MVP to indie-movie darling, Bill Hader explains how this small emotional indie paved the way towards his critical hit Barry.
In Johan Renck's cosmic epic, Adam Sandler and Paul Dano are a lonely astronaut and an ancient spider who form an unlikely friendship. That's the tip of the iceberg.
The British director on the power of crying and how he crafted his heartbreaking new film, All of Us Strangers.
By Rógan Graham
Old pals and creative collaborators Daniel Kaluuya and Kibwe Tavares team up to present their vision of a near future where London's last social housing estate stands up against the oppressive regime.
Yorgos Lanthimos on the intricate cine-suture work that it took to make his magnificent new film, Poor Things.
The star of Sofia Coppola's Priscilla, who won the Volpi Cup at the Venice Film Festival for her performance, reflects on the experience of working with Coppola as well as her co-star Jacob Elordi.
On the ground at the Thessaloniki Film Festival, we caught up with one of our favourite actors to discuss her new role in gothic delight, The Vourdalak.
The visionary Indian director behind modern cult favourite The Fall reflects on the film finding its audience after 17 years, and the production of Dear Jassi – his first feature film in almost a decade.
The intrepid British director on being one of the first people to lay their eyes on the archives of the late artist Audrey Amiss – subject of Typist, Artist, Pirate, King.
By Simon Bland
The Drive director reflects on smuggling Bronson’s actual moustache out of prison and the personal story behind his ethereal biopic of the UK’s most notorious inmate.
Ahead of the BFI's landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.
The famed photographer turns his hand at filmmaking with a study of extreme trauma and slow healing in The After.
By Simon Bland
The writer, director and co-star of BlackBerry – an irreverent take on the rise and fall of a tech giant – reflects on his third feature while making his way across Toronto.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
