Cannes Film Festival

The Chronology of Water – first-look review

By Hannah Strong

Kristen Stewart makes her directorial debut with a rousing adaptation of Lidia Yuknavitch's memoir.

The Mysterious Gaze of the Flamingo – first-look review

By Rafa Sales Ross

A young girl living in a sleepy Chilean mining town reckons with prejudice that emerges when a mysterious illness sweeps the residents in Diego Céspedes' modern western.

The Plague – first-look review

By Hannah Strong

A 12-year-old boy at a water polo summer camp experiences the vitriol of his peers in Charlie Polinger's arresting feature debut.

Dossier 137 – first-look review

By David Jenkins

This robust if hardly revelatory police procedural coasts on an detailed and charismatic lead performance from Léa Drucker.

Sirât – first-look review

By David Jenkins

A phenomenal and unique portrait of a group of thrill-seeking ravers entering into a spiritual abyss in this extraordinary new film by Oliver Laxe.

Two Prosecutors – first-look review

By David Jenkins

Ukrainian filmmaker Sergei Loznitsa returns with this dark tale of Stalinist oppression that is very relevant for these current times.

Adam’s Sake – first-look review

By Hannah Strong

Laura Wandel's second feature unravels the complexity of a mother-son relationship within the confines of a paediatric ward.

Sound of Falling – first-look review

By Hannah Strong

Mascha Schilinski's beguiling drama follows four generations living in the same rural German farmhouse and the cyclical nature of their trauma.

Enzo – first-look review

By David Jenkins

Robin Campillo completed this final feature by Laurent Cantet, a beautiful, bittersweet study of a teenage boy finding his way in life.

The 2025 Cannes Film Festival line-up is here!

By David Jenkins

Wes Anderson, Kelly Reichardt, Joachim Trier and Julia Ducournau are among the contenders for this year’s Golden Palm.

The Seed of the Sacred Fig – first-look review

By Mark Asch

An Iranian judge appointed to Tehran's Revolutionary Court grapples with dissent both at work and at home in Mohammad Rasoulof’s politically charged thriller.

September Says – first-look review

By Hannah Strong

Two sisters share an unshakable bond in Ariane Labed's uniquely strange feature debut.

The Balconettes – first-look review

By Hannah Strong

Noémie Merlant's sophomore feature, co-written by Celine Sciamma, is a riotous black comedy set on the hottest day of the year in Marseilles.

Beating Hearts – first-look review

By Hannah Strong

An archetypal good girl meets a boy from the wrong side of the tracks in Gilles Lellouche's sweeping melodrama.

Motel Destino – first-look review

By Rafa Sales Ross

A young enforcer for a Brazilian gangster finds himself hiding out at a sleazy sex hotel in Karim Aïnouz's neo-noir.

All We Imagine as Light – first-look review

By Jenna Mahale

Payal Kapadia's first fiction feature is a gorgeous romance, concerning the lives of two contrasting nurses in present-day Mumbai.

Limonov: The Ballad – first-look review

By Isaac Feldberg

Ben Whishaw rises to the occasion of essaying the poet, provocateur and political dissident Eduard Limonov.

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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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