Cannes Film Festival

La Chimera – first-look review

By Mark Asch

Josh O’Connor breaks out his halting Italian as a grave-robbing rascal in Alice Rohrwacher’s divine exploration of time, history and memory.

Kidnapped – first-look review

By Mark Asch

Italian veteran Marco Bellocchio’s adaptation of David Kertzer’s The Kidnapping of Edgardo Mortara is an occasionally enthralling, yet often staid and repetitive affair.

Last Summer – first-look review

By Sophie Monks Kaufman

French provocateur Catherine Breillat returns with strange film about a transgressive sexual relationship between a middle-aged lawyer and her teenage stepson.

Rien a Perdre – first-look review

By Catherine Bray

Virginie Efira delivers a typically committed performance opposite young breakout star Félix Lefebvre in this debut fiction from Delphine Deloget.

The Pot-au-Feu – first-look review

By David Jenkins

Juliette Binoche and Benoît Magimel play late 19th century gourmands in Tran Ahn Hung’s scintillating epic of proto-foodie passions.

Close Your Eyes – first-look review

By David Jenkins

The long-awaited return of Spanish filmmaker Victor Erice is a slow-burn marvel which climaxes in a sequence of overwhelming profundity and mystery.

Firebrand – first-look review

By Rafa Sales Ross

Karim Aïnouz's English language debut is a frustratingly buttoned-up take on the life of Henry VIII's final wife, Catherine Parr.

The Feeling That the Time for Doing Something Has Passed – first-look review

By Hannah Strong

Joanna Arnow's feature debut is a blisteringly funny take on millennial malaise and the search for reciprocal companionship.

Asteroid City – first-look review

By David Jenkins

Wes Anderson returns with one of his most dazzling, rich and playfully self-reflexive films to date, brought to eye-popping life by an all-timer ensemble.

Club Zero – first-look review

By Hannah Strong

Jessica Hausner's drama about a teacher who begins a troubling diet club at an elite high school is a poorly-judged slog to sit through.

Fallen Leaves – first-look review

By David Jenkins

Another gorgeous tragicomic farce from Finnish maestro Aki Kaurismäki, a heartfelt cinephile ode to the possibility of love among the working classes.

Anatomy of a Fall – first-look review

By Catherine Bray

A woman has to stand trial after her husband dies in suspicious circumstances in Justine Triet's compelling courtroom drama.

Banel & Adama – first-look review

By Caitlin Quinlan

A young couple's romance threatens a drought-stricken village in Ramata-Toulaye Sy's stirring debut.

May December – first-look review

By Hannah Strong

Todd Haynes' deliciously dark melodrama sees Julianne Moore and Natalie Portman go head-to-head as a housewife and the woman tasked with playing her in a film.

The Breaking Ice – first-look review

By Sophie Monks Kaufman

Three young adults navigate the intricacies of romance in a snowy city in Northern China in Anthony Chen's latest drama.

The Book of Solutions – first-look review

By Mark Asch

A filmmaker in crisis finds inspiration in the mountains in Michel Gondry's first film in eight years.

Four Daughters – first-look review

By Rafa Sales Ross

The latest documentary from Tunisian director Kaouther Ben Hania centers a quartet of young women whose lived are changed forever when two of them join ISIS.

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