By Terry Nguyen
Through his collaborations with Tsai Ming Liang and new work with Constance Tsang and Yeo Siew Hua, Lee Kang Sheng has created a remarkable body of work.
In Joe Wright's 2005 adaptation of Pride and Prejudice, Matthew Macfadyen managed to breathe new life into an iconic literary love interest. How did he do it?
Half a century on, the man behind Sextool and LA Plays Itself remains a pioneering, provocative figure of films that straddle the line between pornography and art.
By John Livesey
As the BFI celebrates the legacy of an acting icon, we delve into Poitier's complex legacy.
As he plays Count Orlok in Robert Eggers' Nosferatu, we examine the qualities that make Bill Skarsgård a compelling villain.
With a screen career dating back to 1961, the groundwork for Dench's most famous roles was laid in some of her early appearances.
By Chloe Walker
One of the greatest actors of all time found a compelling niche starring in some of the decade's zaniest high-concept thrillers.
By Taylor Burns
As Pulp Fiction turns 30, we take a closer look at one of cinema's finest supporting players.
As Saoirse Ronan stars in The Outrun, we examine how her debut as a child star has landed her a continued presence in the coming-of-age genre.
By Carly Mattox
From Downton Abbey to an Alpine horror via plenty of unnerving roles, Dan Stevens is forging his own fascinating path through filmmaking.
As Cate Blanchett stars in Borderlands, we survey her various forays into the world of high budget, high profile filmmaking.
As Risky Business enters the Criterion Collection, we plot the trajectory of a star seemingly incapable of burning out.
From an average anatomy baseball player to a sarcastic personal assistant, Hollywood's newly anointed man of the moment appears to have figured out the formula for success.
By Callie Petch
One of cinema's leading hard men, the former model and Commonwealth diver has carved out a dependable – and at times greatly entertaining – niche.
By Sean Fennell
Throughout his career, the Irish accent has showcased a unique intensity combined with a pull towards characters with deep-set moral conflictions.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
