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Two cartoon rabbits, one holding a cake and dressed in a red pinafore, the other in a purple suit, in a countryside setting with hills and clouds.
In Heaven Everything Is Fine

In Twin Peaks

by Aaron Stewart-Ahn

Screen­writer, film­mak­er and David Lynch dis­ci­ple Aaron Stew­art-Ahn reflects on grow­ing up a stone’s throw from the set­ting of Lynch’s mag­num opus, and what lies at the beat­ing heart of all his cre­ative work.
Two bearded men, one in a red shirt and hat, the other in a purple and grey striped shirt, set against a wooden background.
In Heaven Everything Is Fine

Full of stars: The Straight Story

by Hannah Strong

David Lynch’s most unlike­ly fea­ture exam­ines the pain, regret, love and hope that makes life worth living.
Close-up portrait of a man in red clothing arranging red roses on a wooden frame.
In Heaven Everything Is Fine

Desire Wore Blue Velvet

by Jourdain Searles

Jour­dain Sear­les reflects on the pow­er dynam­ics at play in David Lynch’s seduc­tive 1986 thriller.
Dark sketch of a woman sitting on a bed in a rustic interior, with a window and furnishings visible.
In Heaven Everything Is Fine

The monstrous and the tender in The Elephant Man

by Christina Newland

Christi­na New­land explores the rhythms of David Lynch’s take on the life of Joseph Merrick.
Illustration depicting two male faces, one in cool blue tones and the other in warm red tones, with expressive features and dramatic shading.
In Heaven Everything Is Fine

Dreaming of Lost Highway

by Sophie Monks Kaufman

Sophie Monks Kauf­man recalls a strange vision in the night­time and the haunt­ing nature of David Lynch’s 1997 neo-noir.
A woman with curly, dark hair adorned with crescent moon accessories, wearing a black feathered garment and staring intently at the viewer against a starry night background.
In Heaven Everything Is Fine

Light in the darkness: David Lynch’s Dune

by Marina Ashioti

David Lynch’s one-time adven­ture in Hol­ly­wood block­buster film­mak­ing would for­ev­er change him – but not his heart.
Illustration of a woman with flowing blonde hair, red lips, and two pink rabbit-like creatures in the corners.
In Heaven Everything Is Fine

Women in trouble: On Inland Empire

by Esther Rosenfield

Through­out his career – though per­haps nowhere so much as in Inland Empire – David Lynch carved out a space for pow­er­ful depic­tions of women in crisis.
Four angry, cartoon-style faces with speech bubbles containing rude language. Geometric shapes, bold black lines, and expressive facial features. Football player and spectators depicted.
In Heaven Everything Is Fine

A trip down to DumbLand

by Esmé Holden

David Lynch’s lit­tle-seen car­toon series about an angry man named Randy could­n’t be more pertinent.
Two cartoon rabbits, one holding a cake and dressed in a red pinafore, the other in a purple suit, in a countryside setting with hills and clouds.
In Heaven Everything Is Fine

Love in the land of Twin Peaks

by Juan Barquin

Mark Frost and David Lynch’s beloved tele­vi­sion series is a tes­ta­ment to the great­est pow­er human beings have.
Colourful illustration showing two women, one smiling with large fluffy hair, the other with eyes closed.
In Heaven Everything Is Fine

Personal freedom in Wild at Heart

by Kathryn Bromwich

A snake­skin jack­et stands for so much in David Lynch’s lurid fairy­tale Wild at Heart.