116 results found
by Lillian Crawford
How the language we use to talk about art which explores subjects of gender and identity can evolve.
by Charles Bramesco
Maybe it’s time to let the old edit die.
by Adam Woodward
Don’t miss the opportunity to relive this nightmarish J‑Horror courtesy of a new restoration.
by David Jenkins
The veteran French auteur’s Cannes-winning latest arrives in cinemas and on MUBI next month.
by Lara C Cory
Colin Eggleston’s 1978 film emerged from one of Australian cinema’s boldest and most productive periods.
by Thomas Hobbs
A personal essay on the director’s 1980 horror, which returns to cinemas this Halloween.
by Anton Bitel
Teruo Ishii’s Horrors of Malformed Men contains one of cinema’s most straightforwardly stark raving villains.
In tandem with a big Joan Crawford retrospective, this moving noir scorcher returns to cinemas.
From Alfred Hitchcock to Fritz Lang, the process of creating women has long been an obsession of cinema’s greatest male creators.
Michael Cimino’s searing Vietnam opus returns to cinemas this summer courtesy of Park Circus.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.