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Two men in high-visibility jackets, one seated on a stretcher, the other standing beside him, in a night-time urban setting with a vehicle in the background.
Festivals

La Fracture – first-look review

by Sophie Monks Kaufman

A small domes­tic tiff spi­rals out into city-wide civ­il war in Cather­ine Corsini’s com­e­dy-infused polit­i­cal drama.
A white horse in a dark, shadowy field, with glowing eyes and mouth visible in the low light.
Festivals

Cow – first-look review

by Sophie Monks Kaufman

Andrea Arnold suc­cess­ful­ly adapts her social real­ist mode to minute­ly chron­i­cle the life of an aver­age dairy cow.
Elderly man and young woman engaged in close conversation.
Festivals

Everything Went Fine – first-look review

by Sophie Monks Kaufman

François Ozon takes a light-heart­ed look at the banal­i­ty and bureau­cra­cy of assist­ed sui­cide in his mis­fir­ing latest.
Illustration of 2 women in a laundromat, vibrant circular patterns on washing machines.
Short Stuff

Watch Symbiosis, an animated short film about sex and jealousy

by Sophie Monks Kaufman

The French-Hun­gar­i­an co-pro­duc­tion, made by artist Nad­ja Andra­sev, is on the longlist for this year’s Oscars.
Woman with glasses, blonde hair, and surprised expression.
Review

Shirley

by Sophie Monks Kaufman

Josephine Decker’s stun­ning anti-biopic of author Shirley Jack­son offers a trea­tise on female cre­ativ­i­ty and camaraderie.

5
Anticipation
4
Enjoyment
4
In Retrospect
Close-up portrait of a man with a thick beard and tousled blond hair, set against a dark background.

An open letter to Freddie Flintoff

by Sophie Monks Kaufman

A per­son­al thank you to the for­mer crick­eter whose new doc­u­men­tary, Liv­ing with Bulim­ia, dis­pels the stig­ma around the disorder.
Silhouette of a person in a dark dress against a red-and-black striped background.
Festivals

A new animated short explores sexual envy from a female perspective

by Sophie Monks Kaufman

Hun­gar­i­an ani­ma­tor Nad­ja Andra­sev reveals how per­son­al expe­ri­ence informed her sen­su­al new film Symbiosis.
Illustration of 100 best films of the 2000s, Part 4, featuring three framed images - a man and woman embracing, a man holding an axe, and a smiling man wearing glasses.
Top Ranking

The 100 Best Films of the 2000s: 25-1

by Anna Bogutskaya, Charles Bramesco, Kambole Campbell, David Jenkins, Sophie Monks Kaufman, Matt Thrift, Hannah Woodhead, Adam Woodward

A.I., Amer­i­can Psy­cho and Bam­boo­zled all make the final part of our list – but what will come out on top?
Illustration with portraits of three people in vintage style frames. The frames are orange, pink, and green with text labelling them as "100 best films of the 2000s Part 3". The portraits depict two men and one woman with distinctive hairstyles and expressions.
Top Ranking

The 100 Best Films of the 2000s: 50-26

by Anna Bogutskaya, Charles Bramesco, Kambole Campbell, David Jenkins, Sophie Monks Kaufman, Matt Thrift, Hannah Woodhead, Adam Woodward

Our noughties rank­ing reach­es the mid­way point, as Amélie, Old­boy and Spi­der-Man 2 all make the cut.
Cartoon-style illustrations of a cat-like creature, a man, and a car with a skull insignia. Framed by a border with the text "100 Best Films of the 2000s Part 2".
Top Ranking

The 100 Best Films of the 2000s: 75-51

by Anna Bogutskaya, Charles Bramesco, Kambole Campbell, David Jenkins, Sophie Monks Kaufman, Matt Thrift, Hannah Woodhead, Adam Woodward

Our count­down of the finest cin­e­mat­ic offer­ings from 2000 to 2009 con­tin­ues. How many have you seen?