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Woman singing on stage with fairy lights in the background, performing at a dimly lit venue.
Festivals

Bergman Island – first-look review

by Sophie Monks Kaufman

A masterful dissection of love, memory and autobiography from the ever-wonderful French maestro, Mia Hansen-Løve.
A man in a military uniform stands in a narrow street, between two buildings with wooden doors and barred windows.
Festivals

The French Dispatch – first-look review

by Hannah Strong

Wes Anderson’s star-studded, multi-chaptered tribute to The New York is his most impressionistic work to date.
Circular black and white eye icon with radiating lines.
Festivals

JFK Revisited: Through the Looking Glass – first-look review

by David Jenkins

Oliver Stone is at his most conspiracy-minded in this entertaining but outlandish doc on the JFK assassination.
Person in a white dress standing in a wheat field, with a clear sky in the background.
Festivals

Flag Day – first-look review

by Mark Asch

Sean Penn returns to Cannes five years after the fiasco of The Last Face with a somehow even more calamitous family drama.
Two Asian individuals, a man and a woman, sitting in the front seats of a car.
Festivals

Drive My Car – first-look review

by David Jenkins

Ryusuke Hamaguchi adapts Murukami and delivers a masterpiece study on the fickle dynamics of human emotion.
A person gazing out of a car window, their face in profile and partially obscured by hair blowing in the wind.
Festivals

Compartment No. 6 – first-look review

by Mark Asch

This delicate Finnish comedy of social and political manners has all the trappings of an arthouse crowd-pleaser.
Four young musicians performing on stage, two playing electric guitars and one playing a bass guitar, in a black and white image.
Festivals

The Velvet Underground – first-look review

by Michael Leader

Todd Haynes’ first documentary takes a thrilling, cautiously ambivalent look at the NY art-rock demigods.
Two men in high-visibility jackets, one seated on a stretcher, the other standing beside him, in a night-time urban setting with a vehicle in the background.
Festivals

La Fracture – first-look review

by Sophie Monks Kaufman

A small domestic tiff spirals out into city-wide civil war in Catherine Corsini’s comedy-infused political drama.
Two people, a man and a woman, embracing and smiling in a grey, overcast outdoor setting.
Festivals

Ali & Ava – first-look review

by David Jenkins

Clio Barnard returns with a social realist riff on the classic romcom, and it’s one of her best films to date.
A white horse in a dark, shadowy field, with glowing eyes and mouth visible in the low light.
Festivals

Cow – first-look review

by Sophie Monks Kaufman

Andrea Arnold successfully adapts her social realist mode to minutely chronicle the life of an average dairy cow.