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Black and white image of a young woman and a man facing each other, both with serious expressions.
Festivals

Paris, 13th District – first-look review

by Hannah Strong

Cannes favourite Jacques Audiard returns to the Croisette with a low-key love story set around the fringes of the French capital.
Woman sitting on bed in bedroom, wearing light-coloured top, surrounded by furniture and curtains.
Festivals

Memoria – first-look review

by Mark Asch

Tilda Swinton is extraordinary in a film by Apichatpong Weerasethakul which comprises of ​“pure vibes”.
Smiling person with wavy hair against colourful lights
Festivals

Hold Me Tight – first-look review

by Adam Solomons

Mathieu Amalric’s engrossing family drama is further proof that Vicky Krieps is one of the world’s most exciting actors.
Person on bicycle wearing a dark blue shirt cycling on a road with trees and buildings in the background.
Festivals

Red Rocket – first-look review

by Hannah Strong

Simon Rex is superbly cast in Sean Baker’s sparkling character study of a porn actor well past his pomp.
Elderly, weathered hand gripping a green rope against a grunge background.
Festivals

Little Palestine (Diary of a Siege) – first-look review

by Sophie Monks Kaufman

Abdallah Al-Khatib’s extraordinary documentary captures daily life in the largest Palestinian refugee camp.
A person standing in a dark room, with a large flame visible behind them.
Festivals

Titane – first-look review

by Hannah Strong

Julia Ducournau’s sensational second feature offers an intoxicating mix of grease, gore and gasoline.
Two people, a man and a boy, walking together on a street.
Festivals

A Hero – first-look review

by Adam Solomons

Asghar Farhadi’s exceptional Iran-centred drama is a soulful reflection on the morality of crime.
Three men in dark suits gathered around a table in a dimly lit green room.
Festivals

Petrov’s Flu – first-look review

by Mark Asch

Kirill Serebrennikov’s delirious latest offers a strikingly singular vision of life in post-Soviet Russia.
Older man embracing younger woman on rug in living room.
Festivals

Deception – first-look review

by David Jenkins

Arnaud Desplechin judiciously adapts Philip Roth’s verbose 1990 novel about an adulterous author.
Group of people seated around a table in a room, some smoking cigarettes. Muted colours and dim lighting create a moody atmosphere.
Festivals

Where Is Anne Frank? – first-look review

by Hannah Strong

Ari Folman’s animated retelling of the wartime diarist’s tragic story falls foul of some questionable artistic license.